A historically valuable, well-written, and unrelentingly bleak read.
A grim, gritty historical novel set in and around Arkansas’ Indian Territory during the last decade of the 19th century.
Gaiter (Whites Shackled Themselves to Race and Blacks Have Yet to Free Ourselves, 2017, etc.) revisits the story of the brutal Rufus Buck Gang—a collection of Native American, mixed heritage, and black teenage boys seeking personal glory and revenge for the mistreatment of Native Americans. The gang has just been captured after two weeks of rape, murder, and torture. The townsfolk of Okmulgee want immediate vengeance, but the boys are taken to Fort Smith, Arkansas, where they will be tried in front of Judge Isaac Parker. Parker will go down in history as “The Hanging Judge,” and this will be his last trial. He is sick and tormented by what he perceives as his failure to “civilize” the territory. He also knows he is partially responsible for enabling a meeting between the young Rufus Buck and Buck’s idol, “Cherokee Bill,” a Native American outlaw sentenced to death. Rufus spent his adolescence reading dime-store novels about Bill’s exploits. The narrative winds its way back and forth, giving some backstory about each of the gang members, with most of the attention devoted to Rufus, the delusional leader. Gaiter adroitly intertwines the personal stories of Rufus and his cohorts with the larger narrative of the cruelty perpetrated against Native Americans. Rufus is scarred by his father’s disillusionment after he watched the Cherokees sell off their land, and their heritage, in exchange for small individual payouts and worthless promises: “To Buck, that was like buying a house and splitting the money evenly between the man, his wife, and each child and telling them all to go their separate ways.” He knew the same would happen to the Creeks. Skillful prose depicts white Americans’ pervasive bigotry and the methodical destruction of Indian sovereignty. Unfortunately, the novel contains not a single likable central protagonist.
A historically valuable, well-written, and unrelentingly bleak read.Pub Date: Aug. 5, 2011
ISBN: 978-0-615-49010-6
Page Count: 288
Publisher: Legba Books
Review Posted Online: March 2, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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