A lighthearted, romantic romp.
In Wells’ debut novel, a young editor embarks on an affair with a rock ’n’ roll guitarist in 1980s New York City.
Julia Nash is living a 1980s New York dream. She works at a publishing house (under the thumb of a lecherous boss), lives in a then-affordable walk-up apartment in SoHo, and regularly goes out dancing with her best friend, Vicky. It’s on one of those nights dancing in a club that she meets Jack Kipling, guitarist for the fictional band Four to the Floor. Despite her reservations about getting involved with a famous musician, Julia begins a romance with Jack, who seems to be genuinely interested in her despite their differences. However, as she becomes more and more involved in Jack’s life, Julia must figure out how to balance her own career with Jack’s claims on her time and emotions. Plus, is he really being as faithful to her as he claims? Wells, herself a longtime editor, does an excellent job capturing the milieu of 1980s New York, when cocaine was everywhere and cellphones were nowhere. Julia is an appealing heroine, and her quest to navigate work and love in the big city is a familiar but winning one. The other characters, from Jack and Vicky to Julia’s brassy mother and Jack’s odious band mate, Patrick, are recognizable archetypes but still unique enough to keep the reader’s attention. At times, dialogue is a bit hokey—Jack has too many lines like “You’ve really gotten under my skin. Which is where I want you.” The novel’s central idea is admittedly a bit of a fairy tale—would a rock star really fall for a brainy publishing employee?—but one that’s still delightful enough to get readers to suspend disbelief and come along for the ride. Wells includes pages from a sequel at the end; here’s hoping the next installment keeps up the charm and spirit.
A lighthearted, romantic romp.Pub Date: June 8, 2014
ISBN: 978-0-692-23591-1
Page Count: 382
Publisher: Percambio Press
Review Posted Online: Sept. 15, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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