A moving story about cultural alienation and familial identity.
In this 16th-century love story, an Onondaga girl and a Welsh boy meet on a deserted island.
Following the death of her mother, Nushèmakw is raised by her mother’s clan in an Onondaga village, although her absentee father is Lenape. Naturally empathetic, she’s haunted by powerful visions and always somewhat alienated from her fellow villagers because of her mixed heritage. Nushèmakw is also ungovernably mischievous. After she twice interrupts ritual ceremonies and angers her cousin and warrior-in-training, Guiarasi, she is sent to live with her father and his people at the age of 12. But when her father dies as a result of a siege, she’s forced to flee unaccompanied to Little Turtle Island until it’s safe to return. Meanwhile, Owen, a Welsh boy, is sent to become a friar. He apprentices as a scribe, translating manuscripts. He resists taking the full orders to become a brother because the vow of chastity would prevent him from marrying and starting a family. He becomes entranced by the politically subversive writing of Sir Thomas More and is endangered when King Henry demands that all his subjects pledge allegiance to the crown at the expense of both God and the pope. Owen flees with his uncle Seamus and ends up washed ashore on Little Turtle Island, where he meets Nushèmakw. Both blessed with a facility for learning languages, they’re quickly able to devise a makeshift one with which to communicate, and they begin to fall in love. But Nushèmakw frets that a marriage between the two would imperil Owen since Guiarasi still hatefully vows his revenge. Johnson (Yellow Bird, 2010) writes in a meditatively poetic style, full of emotion and depth: “Then you came. This strange man, all alone. I saw then how large the universe is, and how many secrets it holds. I could see the whole world spinning under the heavens.” Both characters’ stories are powerful enough to stand alone, and the author dexterously weaves them into one coherent narrative. She also provides a penetrating, timely exploration of cultural difference.
A moving story about cultural alienation and familial identity.Pub Date: June 17, 2017
ISBN: 978-0-692-90947-8
Page Count: 216
Publisher: Garden Gate Farm
Review Posted Online: Dec. 19, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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