Old-fashioned but never stodgy; a charming story about a bygone time where even magic seems possible.

YELLOW BIRD

In Johnson’s novel, faith and mysticism bring two people on uncertain paths together in the mountains of Appalachia.

On the surface, Amanda Abernathy and Cody Stone have little in common, save their mental infirmities. Amanda is a 17-year-old who, after a serious head injury, now lives with vivid, waking nightmares. Cody, meanwhile, is just another young veteran returned home from Vietnam with debilitating shellshock, his mind ever calling him back to the horrors he witnessed in the jungle. But in their shared “spells” an inexplicable bond emerges, a mystical connection between two people who have never met and don’t even know each other’s names. Their paths will eventually cross on South Mountain at Yellow Bird—the dilapidated bookstore that Amanda inherited from her grandmother—but not before weathering small-town scandals, skirmishes with the local coal company and a disaster of almost biblical proportions. Johnson’s debut is, at its core, a pastoral tale, a celebration of the rustic music and rich traditions of the hills and hollows of Virginia and West Virginia and their ability to offer relief and purpose in a harsh, lonesome world. The narrative employs a unique dual tone, portraying its everyday events and folksy setting with blunt, obtuse language while contrasting that with lyrical, dreamlike prose for Amanda and Cody’s trances. Occasionally the latter is overly vague, but much of the novel’s appeal is in its coyness with details, and since the characters are so willing to accept the strange or the spiritual, the wealth of unanswered questions isn’t as distressing as one might expect. Though the novel is not devoid of action, it’s at its best in the small moments, when characters are talking, sharing stories or enjoying meals. Quaintness is what the novel honors, and in its depiction of this quaintness, the book excels.

Old-fashioned but never stodgy; a charming story about a bygone time where even magic seems possible.

Pub Date: June 24, 2010

ISBN: 978-0578069739

Page Count: 151

Publisher: Garden Gate Farm

Review Posted Online: Aug. 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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