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RAY & JOAN

THE MAN WHO MADE THE MCDONALD'S FORTUNE AND THE WOMAN WHO GAVE IT ALL AWAY

A book characterized by deep research and a seamless weaving together of the details of different lives.

A dual biography of the man who made McDonald's ubiquitous and his third wife, who, after his death, spent the last two decades of her life becoming one of most generous philanthropists in American history.

Journalist Napoli (Radio Shangri-la: What I Learned in Bhutan, the Happiest Kingdom on Earth, 2011) intended to write a sole biography of Joan Kroc (1928-2003), but she wisely decided to first document the life of Ray Kroc (1902-1984), who rose to become a billionaire via fast food after decades of marginal success as a traveling salesman hawking various products. Joan Beverly Mansfield Smith was playing piano and singing in a St. Paul, Minnesota, lounge when she caught the attention of her future husband, more than 25 years her senior. The romance was complicated not just by the age difference, but also due to the fact that Ray and Joan were both already married, with children in the mix. Ray would not be denied, although the road to remarriage took years to pave. Joan felt passion as well, apparently not fully comprehending Ray's alcoholism, his authoritarian personality, his unpleasant prejudices against almost everybody different from himself, and his inability to wrest attention from the business of expanding McDonald's. Publicly, Joan mostly suffered in silence until Ray's death, but behind the scenes, she often went about her life in a passive-aggressive manner. Napoli skillfully assembles the saga of their lives as a couple and just as skillfully portrays Joan's blossoming as a philanthropic force after Ray's death. She donated hundreds of millions of dollars to causes he would have vetoed, including hospice care, alcoholism treatment, AIDS research, Salvation Army recreation centers in low-income areas, National Public Radio, and much more. In the author’s telling, Ray never emerges as a sympathetic man, but Joan slowly morphs into a sympathetic heiress.

A book characterized by deep research and a seamless weaving together of the details of different lives.

Pub Date: Nov. 15, 2016

ISBN: 978-1-101-98495-6

Page Count: 368

Publisher: Dutton

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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