by Lisa Napoli ‧ RELEASE DATE: April 13, 2021
A flawed yet well-researched deep dive into the careers of the journalists who helped make NPR a household name.
How four of the most important women journalists of the past five decades ended up together at the then-fledgling National Public Radio.
In this natural follow-up to Up All Night: Ted Turner, CNN, and the Birth of 24-Hour News (2020), Napoli narrates the origin stories of NPR’s female journalistic superheroes: Susan Stamberg and Linda Wertheimer, who launched the network’s groundbreaking, signature show All Things Considered; preeminent legal affairs correspondent Nina Totenberg, an expert on the Supreme Court; and pioneering political journalist Cokie Roberts. Though their early paths differed, they joined forces at NPR, overqualified and underpaid due to the widespread gender discrimination of the day. At the time, writes the author, “there were no jobs for women or the company already ‘had its woman.’…Even women with degrees from elite schools, it seemed, attended secretarial courses after graduation in order to equip themselves for the working world.” The quartet banded together (their area of the newsroom was nicknamed the “Fallopian Jungle”) to push for change for women and minorities. “Regarding hiring and union matters and management issues,” writes Napoli, “they did not hold back….They weren’t women in power—though, had they wished, they could likely have seized it—they were women of power.” Though they sound like journalism’s Justice League, the author doesn’t provide adequate documentation of them springing into action together, and she dwells more on their struggles than their successes. She wraps up the primary narrative with NPR’s near bankruptcy in the 1980s even though the “founding mothers” had little to do with either causing or solving the network’s financial woes. In a history filled with so many powerful moments and fascinating details about journalism, perseverance, and gender bias, Napoli could have chosen a higher note for her conclusion.A flawed yet well-researched deep dive into the careers of the journalists who helped make NPR a household name.
Pub Date: April 13, 2021
Page Count: 352
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Awards & Accolades
New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Pub Date: July 12, 2022
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Britney Spears ‧ RELEASE DATE: Oct. 24, 2023
Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
A heartfelt memoir from the pop superstar.
Spears grew up with an alcoholic father, an exacting mother, and a fear of disappointing them both. She also displayed a natural talent for singing and dancing and a strong work ethic. Spears is grateful for the adult professionals who helped her get her start, but the same can’t be said of her peers. When she met Justin Timberlake, also a Mouseketeer on the Disney Channel’s updated Mickey Mouse Club, the two formed an instant bond. Spears describes her teenage feelings for Timberlake as “so in love with him it was pathetic,” and she’s clearly angry about the rumors and breakup that followed. This tumultuous period haunted her for years. Out of many candidates for villains of the book, Timberlake included, perhaps the worst are the careless journalists of the late 1990s and early 2000s, who indulged Timberlake while vilifying Spears. The cycle repeated for years, taking its toll on her mental health. Spears gave birth to sons Sean Preston and Jayden James within two years, and she describes the difficulties they all faced living in the spotlight. The author writes passionately about how custody of her boys and visits with them were held over her head, and she recounts how they were used to coerce her to make decisions that weren’t always in her best interest. As many readers know, conservancy followed, and for 13 years, she toured, held a residency in Las Vegas, and performed—all while supposedly unable to take care of herself, an irony not lost on her. Overall, the book is cathartic, though readers who followed her 2021 trial won’t find many revelations, and many of the other newsworthy items have been widely covered in the run-up to the book’s release.Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
Pub Date: Oct. 24, 2023
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 25, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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