Either way, Liu has written a masterful tale that will make you laugh even as you despair. His words are simple but they...
What’s a couple to do when they're expecting their second child in China? Simple. Divorce and get remarried to avoid the one-child policy.
But nothing is as simple as it seems in this wickedly subtle satire by acclaimed Chinese writer Liu (Cellphone, 2011, etc.). After the divorce, protagonist Li Xuelian’s husband, Qin Yuhe, marries someone else. Enraged, Li Xuelian goes to court to have the divorce declared a sham. Throw in a lovelorn chef and a cast of judges and politicians who run the gamut from bumbling to suave, and you get a piercing examination of the intersection of politics and human nature that loops from villagers to the bigwigs of Beijing. Liu writes with a colloquial voice reminiscent of old men gossiping, which adds an absurd twist to his keen dissections—he compares politicians vying for a promotion to “three dozen monkeys fighting over a single grape.” Yet his explorations of his characters’ motives are so finely detailed they border on the compassionate. His moments of tragedy are punctuated by comedy, his comedy underscored by tragedy. By the end, it’s hard to know who exactly is being skewered: the government, which is more victim than villain, or ordinary citizens whose kooky brilliance elevates them into politicians fighting for grapes in their own rights.
Either way, Liu has written a masterful tale that will make you laugh even as you despair. His words are simple but they will linger in your memory long after you have finished.Pub Date: Sept. 16, 2014
ISBN: 978-1-62872-426-4
Page Count: 224
Publisher: Arcade
Review Posted Online: Sept. 8, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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