An interracial attraction complicates an alluring romance in a book with a likable, grounded heroine.
A black woman falls for her white boss—and then finds her life in danger—in Zoe’s debut romantic thriller, set in the 1990s.
Nora Richards has worked her way up to her current position at Tillman and Associates, a marketing and public relations firm in an unnamed but apparently American city. The 27-year-old is the “relations coordinator,” a job that mostly consists of billing and collections. But Nora’s biggest obstacle is organizing old, handwritten paper files. She reports to Cheryl, supervisor of customer accounts, but is awaiting a new boss. After meeting and spending a flirtatious evening with Mr. Douglas, a handsome stranger, Nora learns that he is her new boss, Sherman. This is the first time that Nora, who is black, has been attracted to a white man like Sherman. Meanwhile, Nora gets a threatening phone call; a female voice demands she give up “that Johnson file.” She has no idea what that file is, though Cheryl, who suddenly and mysteriously took a job in Italy, had earlier requested it. The telephonic threat quickly escalates into a physical assault against Nora. While she’s subsequently determined to find that file, Nora resists her attraction to Sherman even if the feelings are unquestionably mutual. This novel is more romance than thriller, and the author devotes ample time to character development. Nora is a tenacious protagonist, diving into a heavy workload with gusto and few complaints. Her romance with Sherman is equally appealing and faces believable challenges, including people who object to the relationship or imply that Nora trades sex for better job prospects. Impressively, Zoe gives potency to a steamy scene and occasional violence in simple prose, sans coarse or explicit language. The story is nevertheless predictable on the thriller front, from where the Johnson file is to the identity of at least one person menacing Nora.
An interracial attraction complicates an alluring romance in a book with a likable, grounded heroine.Pub Date: Dec. 13, 2019
ISBN: 978-1-72830-106-8
Page Count: 390
Publisher: AuthorHouse
Review Posted Online: April 8, 2020
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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