31286676.399 Estleman, Loren D. THE ROCKY MOUNTAIN MOVING PICTURE ASSOCIATION Estleman has switched fictional settings before from Prohibition Detroit (Whiskey River, 1990, etc.) to the Hollywood of early silents, as in Billy Gashade (1997). His latest, set largely in 1913, is something of a sequel to Billy. Burgeoning but unpublished young writer Dmitri Andreivitch Pulski, who admires Jack London and writes under the pen name Tom Boston, has garnered 172 rejections and, waiting for his ship to come in, works for his father, who owns the Sierra Nevada Ice Company. One day after he’s just helped cut up eight tons of ice from a frozen lake, a request comes in from a Hollywood studio for ten tons of same. His father sends Tom/Dmitri down to Hollywood to check on the deal. Tom’s romantic interest is exotic blossom Adele Varga, the secretary/leading lady for director Buck Bensinger, whose Rocky Mountain Moving Picture Association is shooting The Trail of “98, the Alaskan gold rush tale that made all that ice necessary. When Tom says he’s a writer and that Jack London will undoubtedly sue Buck for lifting his plot, Buck hires Tom to sponge all the Jack London out of the script. Meanwhile, the sheriff threatens to put Buck’s equipment on the auction block if he doesn’t pay off a printer. On his new job, Tom the innocent wanders about the set with Adele, while Estleman packs in sparkling filler. A leap ahead to 1927 tells of Tom/Pulski’s visit as a big-time realtor to Hearst’s castle at San Simeon; then it’s back to 1913 and Buck’s fight against the Edison Trust. When his leading cowboy star dies on heroin, Buck hires a famous desperado just released from San Quentin to replace him. Buck takes to drink; Adele turns producer and makes a star of desperado J. W. Starling. Jump to 1948 for a nostalgic recap. Masterful description floats through a story that’s held together by sheer charm.
Pub Date: April 15, 1999
ISBN: 0-312-86676-3
Page Count: 288
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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