FIRES IN THE DARK

Doughty is a competent narrator, but her characters are dwarfed by the terrible times through which they move.

A Holocaust novel featuring the Gypsies of Central Europe.

Gypsies are dirty parasites. That stereotype is swiftly demolished by British author Doughty (An English Murder, 2000, etc.) as she introduces us to a small group of Kalderash Roma in Czechoslovakia. These nomadic Gypsies, who live in their wagons, are industrious, self-supporting, and squeaky clean (they even have domestic purity laws). Formerly coppersmiths, they pick fruit in summer and make barrel hoops in winter. Their Big Man is the tenderhearted Josef, whose beautiful wife Anna has just given birth to a boy (Emil). It’s 1927; only the hated gadje (white non-Roma) stain their idyllic existence; whether they are Czech or German makes no difference. Their rules and regulations culminate in 1942 with Registration Day, a ruse to round up all Gypsies and intern them. The heart of the novel is their experience in the Czech camp. As they drop like flies, what is initially harrowing quickly becomes numbing. Josef sickens and enters the no-exit infirmary. Emil’s life is made hell by a sadistic Czech guard. The iron-willed Anna is the natural protagonist, but her gender bars her from center stage, so the 15-year-old Emil becomes the designated survivor, a heavy burden for young shoulders. Anna commands him to escape. Free of the camp, he kills an old peasant for his clothes and travels to Prague, where he’s sheltered by Ctibor, his father’s old friend and (surprise) a decent gadjo. When he returns to rescue the rest of his family, he finds the camp deserted: they have all been shipped to Auschwitz. Emil’s primal howl of grief would have provided an appropriately bleak ending, but Doughty sends Emil back to Prague so he can reunite with Marie, another young Gypsy survivor of the camp. Their contrived reunion is just one element of a chaotic scene, as the German occupiers flee and the partisans hound them through the streets.

Doughty is a competent narrator, but her characters are dwarfed by the terrible times through which they move.

Pub Date: Jan. 9, 2004

ISBN: 0-06-057122-5

Page Count: 496

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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