A well-observed camp tale with an appealing young girl’s voice that falls short in its depiction of Native Americans.
A preteen finds fun, friendship, and adventure at a summer camp in this children’s novel.
Madison Grey is a tad anxious about going to Crazy Moon sleep-away camp. This will be her first time away from home without her parents and three younger siblings. In this light, engaging first-person narrative for ages 7 and up, Greene (A Tunnel in the Pines, 2015) gives Madison an authentic, likable voice as she reacts alternately with nervousness, humor, curiosity, and thoughtfulness to her camp experiences. She falls in love with a horse named Mouse, plays water games, dabbles in crafts, toasts marshmallows, steals the spotlight in a talent show (due to a funny costume mishap), attends her first boy-girl dance, and makes new friends. Madison is described as white and “skinny.” One character is “a little heavy”; another is “small.” Some have brown skin, suggesting diversity (on one girl, “everything” is “brown, her skin, her long, dark hair, and long-lashed eyes”). This is reflected in one of the pleasant, full-page digital images by debut illustrator Sands. The author gives the girls distinctive personalities without stereotyping. Snobby Julie shows she has a conscience. A certain event makes Madison see clingy, overweight Nancy through new eyes. By the end of her stay, Madison feels a budding sense of independence. Mild scares include a tornado warning, a swarm of bees, and a food fight with briefly worrisome consequences. Greene brings summer camp to life from the affectionate perspective of someone who has been there, adding color and depth with small details. A hawk makes “slow, graceful circles” searching for prey; wood “hissed and popped” on the campfire, shooting “orange sparks high into the darkening sky.” Yet the book’s relatability for a diverse pool of readers is compromised by references painting Native Americans as a past, exotic “other.” When Madison grumbles about brushing her teeth during a camping trip, earnest Helen says that “American Indians” used pine to clean their teeth. They laugh when Julie jokes, “That’s because they all had buffalo breath.” While the author points out the girls’ ignorance through a campfire talk about the area’s history and “the Indians” who were “amazingly resourceful,” the portrait is still problematic.
A well-observed camp tale with an appealing young girl’s voice that falls short in its depiction of Native Americans.Pub Date: June 8, 2018
ISBN: 978-1-943424-35-1
Page Count: 118
Publisher: North Country Press
Review Posted Online: May 31, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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