A skillful exploration of a tween boy’s coming-of-age.

A TUNNEL IN THE PINES

During summer vacation, a boy faces difficult choices during a club initiation in Greene’s debut YA novel.

School is almost over, and narrator Wills and his best friend, Andrew Wyler, have plans for a new club called the Annelids, named after worms that Andrew finds interesting. The invitation list includes the boys’ closest friends, but inevitably, Wills’ older brother, Taylor, and Taylor’s friend Strat Sherwood find out about the club. They insist on being part of it, too, but they’re bullies who have a tendency to take things over. “Having Taylor involved in this club is not making my life any easier,” thinks Wills. At the first club meeting, Wills makes a suggestion for an initiation: “How about we dig a really deep tunnel and make like the worms do, join our powerful brothers underground?” Taylor and Strat seize on this idea, liking the thought of a bravery test to weed out the weak. The boys organize and carry out their plan, finding a good location in the pine woods, gathering tools and plywood, making scale drawings, and digging out stones and roots. During this process, Wills finds Andrew’s journal and discovers that his friend has severe asthma, but he keeps the secret, as his friend is already picked on enough. When the tunnel is complete, the initiation rites will test the boys’ courage and resourcefulness. Greene ably presents the contradictions and difficulties of growing up from a boy’s point of view. Wills and his friends are at an age when girls are still “others” and boys fear looking weak more than anything else in the world. Wills, however, is kind; noticing his mother’s laugh lines, he thinks, “It’s my mission to get her laughing as often as I can.” Still, pressure from the older, challenging boys gets to Wills; he has to admit that he’s been a jerk sometimes, that Andrew has reason not to trust him with the news of his diagnosis, and that maybe he’s become too much like his brother. The way that Wills navigates his competing instincts is realistic and moving.

A skillful exploration of a tween boy’s coming-of-age.

Pub Date: May 15, 2015

ISBN: 978-0-945980-57-5

Page Count: 134

Publisher: North Country Press

Review Posted Online: Nov. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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