A TUNNEL IN THE PINES

A skillful exploration of a tween boy’s coming-of-age.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

During summer vacation, a boy faces difficult choices during a club initiation in Greene’s debut YA novel.

School is almost over, and narrator Wills and his best friend, Andrew Wyler, have plans for a new club called the Annelids, named after worms that Andrew finds interesting. The invitation list includes the boys’ closest friends, but inevitably, Wills’ older brother, Taylor, and Taylor’s friend Strat Sherwood find out about the club. They insist on being part of it, too, but they’re bullies who have a tendency to take things over. “Having Taylor involved in this club is not making my life any easier,” thinks Wills. At the first club meeting, Wills makes a suggestion for an initiation: “How about we dig a really deep tunnel and make like the worms do, join our powerful brothers underground?” Taylor and Strat seize on this idea, liking the thought of a bravery test to weed out the weak. The boys organize and carry out their plan, finding a good location in the pine woods, gathering tools and plywood, making scale drawings, and digging out stones and roots. During this process, Wills finds Andrew’s journal and discovers that his friend has severe asthma, but he keeps the secret, as his friend is already picked on enough. When the tunnel is complete, the initiation rites will test the boys’ courage and resourcefulness. Greene ably presents the contradictions and difficulties of growing up from a boy’s point of view. Wills and his friends are at an age when girls are still “others” and boys fear looking weak more than anything else in the world. Wills, however, is kind; noticing his mother’s laugh lines, he thinks, “It’s my mission to get her laughing as often as I can.” Still, pressure from the older, challenging boys gets to Wills; he has to admit that he’s been a jerk sometimes, that Andrew has reason not to trust him with the news of his diagnosis, and that maybe he’s become too much like his brother. The way that Wills navigates his competing instincts is realistic and moving.

A skillful exploration of a tween boy’s coming-of-age.

Pub Date: May 15, 2015

ISBN: 978-0-945980-57-5

Page Count: 134

Publisher: North Country Press

Review Posted Online: Nov. 20, 2017

Kirkus Reviews Issue: Jan. 15, 2018

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 24


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 24


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview