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  • Kirkus Reviews'
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IT'S WHAT I DO

A PHOTOGRAPHER'S LIFE OF LOVE AND WAR

A brutally real and unrelentingly raw memoir that is as inspiring as it is horrific.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

A remarkable journalistic achievement from a Pulitzer Prize and MacArthur Fellowship winner that crystalizes the last 10 years of global war and strife while candidly portraying the intimate life of a female photojournalist.

Over the last decade, Addario has been periodically beaten, robbed, kidnapped, shot at and sexually assaulted from one end of the Middle East and North Africa to the other. Risking her life for images that might change public policy, she ran into Taliban fighters who fired on her in the Korengal Valley, Gadhafi loyalists who imprisoned her in Libya and Israeli soldiers who abused her outside the Gaza Strip. A deadly car accident in Pakistan nearly claimed her life. Many of Addario's friends and colleagues did die during that time, while lovers faded away and family members freaked out. But such was the cost of the author’s life’s work. Told with unflinching candor, the award-winning photographer brings an incredible sense of humanity to all the battlefields of her life. Especially affecting is the way in which Addario conveys the role of gender and how being a woman has impacted every aspect of her personal and professional lives. Whether dealing with ultrareligious zealots or overly demanding editors, being a woman with a camera has never been an easy task. Somewhere amid Addario’s dizzying odyssey, she also became a mother. However, instead of slowing her down, it only deepened the battle-hardened correspondent’s insight into the lives of those she so courageously sought to photograph. “Just as in Somalia,” she writes, “when I had felt my baby moving inside me as I witnessed the suffering of other infants, I could suddenly understand, in a new, profound, and enraging way, the way most people in the world lived.”

A brutally real and unrelentingly raw memoir that is as inspiring as it is horrific.

Pub Date: Feb. 5, 2015

ISBN: 978-1594205378

Page Count: 384

Publisher: Penguin Press

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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UNFINISHED BUSINESS

NOTES OF A CHRONIC RE-READER

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.

Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-28215-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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MY STORY

Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered...

The inspirational and ultimately redemptive story of a teenage girl’s descent into hell, framed as a parable of faith.

The disappearance of 14-year-old Elizabeth Smart in 2002 made national headlines, turning an entire country into a search party; it seemed like something of a miracle when she reappeared, rescued almost by happenstance, nine months later. As the author suggests, it was something of a mystery that her ordeal lasted that long, since there were many times when she was close to being discovered. Her captors, a self-proclaimed religious prophet whose sacraments included alcohol, pornography and promiscuous sex, and his wife and accomplice, jealous of this “second wife” he had taken, weren’t exactly criminal masterminds. In fact, his master plan was for similar kidnappings to give him seven wives in all, though Elizabeth’s abduction was the only successful one. She didn’t write her account for another nine years, at which point she had a more mature perspective on the ordeal, and with what one suspects was considerable assistance from co-author Stewart, who helps frame her story and fill in some gaps. Though the account thankfully spares readers the graphic details, Smart tells of the abuse and degradation she suffered, of the fear for her family’s safety that kept her from escaping and of the faith that fueled her determination to survive. “Anyone who suggests that I became a victim of Stockholm syndrome by developing any feelings of sympathy for my captors simply has no idea what was going on inside my head,” she writes. “I never once—not for a single moment—developed a shred of affection or empathy for either of them….The only thing there ever was was fear.”

Smart hopes that sharing her story might help heal the scars of others, though the book is focused on what she suffered rather than how she recovered.

Pub Date: Oct. 7, 2013

ISBN: 978-1-250-04015-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Oct. 27, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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