An extremely likable book.


The hero of Homes’s latest novel (after Music for Torching, 1999)—a work of guarded but very real optimism and, ultimately, of redemption—is Richard Novak, a California-style Scrooge.

Richard is a friendless, divorced Los Angeles investor who has so single-mindedly worked to create extravagant wealth that he has become estranged from mankind. For Richard, the wake-up call is not a minatory ghost but a pain that bends him double and sends him to the ER, where he realizes there is no one he can call who would really care. The novel charts Richard's gradual reawakening to the needs of others and the pleasure of their company. With the innocence of a newborn, he befriends the Middle Eastern owner of a donut shop; a woman weeping in the produce aisle of a supermarket (whom he treats to a week of spa treatments); and his next-door neighbor. Having warmed up to strangers, Richard struggles to re-establish contact first with his younger brother, a scientist living in Boston, and then with his sharp-tongued ex-wife and his teenaged son. Narratives about the very wealthy often have a glow of limitless possibility that verges on enchantment, and here, when Richard's house is menaced by an encroaching sinkhole, he lifts his de Kooning off the wall and rents an all-white house in Malibu. Not only are the cast-iron frying pans white-enameled, the sexual harness mounted in the guestroom ceiling is all white, too. That close to L.A., such loony details are plausible enough, but Homes occasionally skitters into realms so odd that the hypnotic spell of her narrative is broken. Could anyone believe that firefighters, battling the blaze that destroys the Malibu rental, had seen “the infamous mystery cat—a large animal some believe maybe be the sole surviving saber-toothed cat” among the flames? Deeper satisfaction derives from her characters’ sudden insights, as when Richard imagines that if he calls out, his brother will come to comfort him. There is a whole lifetime of change in that simple moment of understanding that indicates how far Richard has traveled toward redemption.

An extremely likable book.

Pub Date: May 1, 2006

ISBN: 0-670-03493-2

Page Count: 384

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2006

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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