An extremely likable book.
The hero of Homes’s latest novel (after Music for Torching, 1999)—a work of guarded but very real optimism and, ultimately, of redemption—is Richard Novak, a California-style Scrooge.
Richard is a friendless, divorced Los Angeles investor who has so single-mindedly worked to create extravagant wealth that he has become estranged from mankind. For Richard, the wake-up call is not a minatory ghost but a pain that bends him double and sends him to the ER, where he realizes there is no one he can call who would really care. The novel charts Richard's gradual reawakening to the needs of others and the pleasure of their company. With the innocence of a newborn, he befriends the Middle Eastern owner of a donut shop; a woman weeping in the produce aisle of a supermarket (whom he treats to a week of spa treatments); and his next-door neighbor. Having warmed up to strangers, Richard struggles to re-establish contact first with his younger brother, a scientist living in Boston, and then with his sharp-tongued ex-wife and his teenaged son. Narratives about the very wealthy often have a glow of limitless possibility that verges on enchantment, and here, when Richard's house is menaced by an encroaching sinkhole, he lifts his de Kooning off the wall and rents an all-white house in Malibu. Not only are the cast-iron frying pans white-enameled, the sexual harness mounted in the guestroom ceiling is all white, too. That close to L.A., such loony details are plausible enough, but Homes occasionally skitters into realms so odd that the hypnotic spell of her narrative is broken. Could anyone believe that firefighters, battling the blaze that destroys the Malibu rental, had seen “the infamous mystery cat—a large animal some believe maybe be the sole surviving saber-toothed cat” among the flames? Deeper satisfaction derives from her characters’ sudden insights, as when Richard imagines that if he calls out, his brother will come to comfort him. There is a whole lifetime of change in that simple moment of understanding that indicates how far Richard has traveled toward redemption.
An extremely likable book.Pub Date: May 1, 2006
ISBN: 0-670-03493-2
Page Count: 384
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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