DANGEROUS DIFFERENCES

American Indians and colonial settlers struggle to understand each other in Virginia of 1700.

In just a few years, the Saponi Indian tribe has lost half of its people to war and the white man’s sickness. To make matters worse, it’s facing increasing pressure from more powerful Iroquois and Tuscarora raiders, and, of course, from the endless wave of European advancement. Unsure of how to meet these challenges, the Saponi chief sends his 13-year-old son, Kadomico, to school in Williamsburg, the capital of Virginia. This fast-paced work of historical fiction from Laird (Quail High Above the Shenandoah, 2006) then follows Kadomico and other Indian students as they learn more about the English, their “firesticks,” their “talking papers” and their religion. Meanwhile, Tuscarora raiders attack a defenseless Nahyssan village and capture a girl on whom Kadomico has a wild crush. Laird vividly describes daily life in 1700 for both colonists and Indians and peppers in some suspenseful fight scenes. Though generally well-researched, the book contains a few factual mistakes. Antelope, for example, never lived in the southeastern United States, and pheasants hadn’t yet been introduced. Some of the dialogue also comes across as wooden or hackneyed. “Horses act crazy, no good off-trail, no good in the river. Horses are no good,” an Indian warrior says at one point. Overall, though, Laird captures the spirit of the time. His characters, both Indian and white, are overwhelmingly brave, competent and interested in helping their fellow humans (not counting one group of drunken white yokels and the troublemaking Tuscarora). This is mostly a feel-good book. Laird hints at, but never goes into detail, about how the settlers eventually drove the Saponi and their neighbors practically to extinction. Perhaps that will come in the planned sequel. A worthwhile read that focuses on the daily lives of Indians and colonists rather than on famous historical events.

 

Pub Date: May 27, 2010

ISBN: 978-0982544327

Page Count: 363

Publisher: CreateSpace

Review Posted Online: Jan. 24, 2012

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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