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AND THEN I WOKE UP

Understandably unsettling while offering a glimmer of redemptive hope.

A virus transforms those it infects into violently unreliable narrators in this dystopian novella.

Spence was working as a dishwasher in a pizzeria when most of the staff and patrons suddenly turned into rotting, ravenous monsters, forcing Spence and his friend Macey to kill their attackers and set the place on fire. Over months scavenging for food and supplies while defending himself and other survivors from the ravenous “Others,” Spence gradually awakens to the truth: He and his compatriots are afflicted with an illness that makes them see the uninfected as monsters when in reality they are just innocent people living their lives. Inside the Ironside facility, Spence has almost come to terms with what happened to him and what he did under the virus’s influence. But after he befriends Leila, a new inmate, and learns her story, he must consider if it’s better to confront an ugly and painful truth or to live a dangerous, but in some ways comforting, lie. Elements of this fable will surely resonate with contemporary readers living in a world where “alternative” facts and competing narratives have driven people to violence and death, and a virus is just one of the natural, social, political, and cultural upheavals that have polarized the population and led them to perceive those on the other side of the divide as monsters or idiots. Speculative fiction’s futuristic and fantastic worlds have always served as a mirror for present-day issues, and this is a fine example of the new wave of stories grappling with our current tumult.

Understandably unsettling while offering a glimmer of redemptive hope.

Pub Date: April 12, 2022

ISBN: 978-1-250-79807-7

Page Count: 176

Publisher: Tordotcom

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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FAIRY TALE

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

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Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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