An intelligently crafted novel, but one that’s more interested in reproducing real-life events than inventing new ones.
In this political thriller, a talented tech guru helps a controversial real estate magnate become president and becomes embroiled in his nefarious dealings.
In a remarkable upset, billionaire businessman Harold P. Franks—modeled, in large part, on Donald Trump—wins the presidency, defeating seasoned political veteran Eleanor Wilson. He wins by divisively pandering to disgruntled racists and unrepentant nationalists. Eli Green, a tech wizard working for a prominent data analytics firm, contributed to the victory, and he so thoroughly impresses his superiors that he’s invited to join Franks’ administration. He’s tasked with compiling and parsing data on voter fraud, but first, he’s given a more sensitive assignment—to prepare a cellphone for Franks that’s entirely private and unknown to members of the so-called “deep state” who might want to listen in on his communications. As Green accomplishes this, he stumbles upon a text message to Franks that reads “don’t forget,” along with a video of the president apparently about to have sex with a young Russian girl. Green finally decides that he not only wants to jump ship, but also blow the whistle on his boss, and he contacts the FBI and a New York Times reporter. But when the journalist turns up dead, Green realizes that bringing down a president isn’t so easy. Debut author James shines most brightly when delving deeply into Franks’ idiosyncrasies, and he sensitively limns his—and, by extension, Trump’s—strange public power: “When he spoke, the words were nearly always empty, or so full of contradiction that it rendered them meaningless; and so the listener projected an image of the world they already identified with, for better or worse.” However, the plot borrows very generously from current events; indeed, the author meticulously—almost journalistically—re-creates multiple controversies that have swirled around Trump’s presidency, including a possibly collusive relationship with Russia, an adversarial contretemps with an FBI director (whom Franks finally fires), and an embattled standoff with the press. As a result, readers looking for a fictional reprieve from political news won’t find it here.
An intelligently crafted novel, but one that’s more interested in reproducing real-life events than inventing new ones.Pub Date: N/A
ISBN: 978-1-980841-86-9
Page Count: 241
Publisher: Time Tunnel Media
Review Posted Online: May 25, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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