Martin has a gift for shepherding his amiable protagonist through truly absurd situations, but patience for the pinballing...
A nostalgic Floridian with an unsound mind fumbles his way through a series of misadventures and reconciliations.
Georgia novelist Martin (Days of the Endless Corvette, 2007) follows up his sweetly Southern debut with another meandering portrait of a loser who can’t be convinced that he’s lost. This latest comedy introduces protagonist Adam Newman, a 47-year-old divorcée whose best days lay far behind him. He pines for his ex, Evelyn, with whom he had once run a celebrated hot dog stand, and craves the approval of his son Addison, an obituary writer with dreams of grandeur of his own. Unfortunately for him, Adam is almost chronically ill at ease with his own persona, the drunken buffoon who invariably screws things up. “Adam only felt comfortable pretending to be someone he was not: Adam Newman, CPA, or Adam Newman, DDS; around the people he loved, plain Adam Newman found himself behind an invisible wall that no amount of cheer or goodwill allowed him to break through,” Martin writes. Conversely, Adam is an accidental con artist extraordinaire, perhaps not purposefully misleading others, but allowing them their misimpressions as he takes on different roles, ranging from a diamond dealer to a priest. Through the course of his arc, set in the mid-1960s, Adam gets arrested, is committed to a psychiatric ward, attends a wedding and has a hilarious confrontation with the man most responsible for the carnival atmosphere of modern Florida, Walt Disney. It’s an ironic take on an optimistic time in American history, but as Martin takes pleasure in pointing out, sometimes things just don’t turn out OK. “There are moments upon which, even if one is unaware, the entire universe pivots: what is heading up turns down, good becomes bad, sweet goes sour—in short, everything gets bungled,” he writes.
Martin has a gift for shepherding his amiable protagonist through truly absurd situations, but patience for the pinballing plot largely depends on affection for the disingenuous Adam.Pub Date: June 7, 2011
ISBN: 978-0-312-66256-1
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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