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THE SINGULAR EXPLOITS OF WONDER MOM & PARTY GIRL

Although the plot is a bit overfamiliar, Schuster does a fine job in maintaining Audrey’s aura of denial even as she plunges...

A suburban single mother of two juggles her motherly responsibilities, the editorship of a local paper and a growing addiction to cocaine. 

This debut novel by English teacher and pop commentator Schuster (The Greatest Show in the Galaxy: The Discerning Fan’s Guide to Doctor Who, 2007, etc.) aims a pointedly jaundiced eye at American consumerism. It acidly portrays the modern American family through the eyes of a matriarch transformed—not necessarily negatively—by her addiction to drugs. Audrey Corcoran is trying to get by in a world that’s been turned upside-down by her acrimonious divorce from her husband Roger, whose vivacious girlfriend Chloe causes Audrey no end of jealous exasperation. Her oldest daughter is reaching the age of teenaged resentment, while her precocious younger daughter more closely resembles a sophisticated teenager than the 8-year-old she is. On top of it all, Audrey supports the whole family with her gig in a dead-end job as the editor of a glorified restaurant review whose stock in trade is more of a complex barter system than functional business. So perhaps it’s no wonder that when Audrey begins dating Owen Little, the hipster owner of a local dive, she begins to feel some pangs of temptation. “Maybe I let it slip that a girl could always change her mind,” Audrey muses. “Maybe I mentioned that even though no always meant no, there was always room for negotiation. Maybe I gave Owen the impression that I was open to trying coke just once, just out of curiosity, just to see if it would do anything for me.” It’s not too many bumps later before Audrey realizes that her overcomplicated life is made much easier through chemical acceleration, not to mention that the dealing of many ounces of coke eases her financial burdens as well. 

Although the plot is a bit overfamiliar, Schuster does a fine job in maintaining Audrey’s aura of denial even as she plunges deeper into quicksand of her own making.

Pub Date: June 1, 2011

ISBN: 978-1-57962-208-4

Page Count: 280

Publisher: Permanent Press

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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