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A SECOND CHANCE

A quirky, uplifting love story.

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In Whitaker’s debut romance, a young doctor gets another chance at love when he discovers that his deceased childhood sweetheart has been reincarnated nearly two decades later.

Sixteen-year-old Amber Scott moves into a new house with her family in the foothills of the Colorado Rockies. Concerned about adjusting to life in a new town, Amber is delighted to notice a handsome boy about her age shooting baskets in the adjacent driveway. Before long, she and this next-door neighbor, Julian Cahill, become a devoted couple. It turns out that he’d been quite the lady’s man before meeting Amber, so everyone in town is surprised that someone has finally captured his heart. But as the couple grows closer, Amber begins having headaches and seizures, which turn out to be caused by a brain tumor; her health quickly deteriorates, and Julian is devastated. Amber is ultimately unable to beat the disease, and she dies the summer after her senior year in high school. During his mourning, Julian decides to become a neurosurgeon to honor her. The book then jumps forward 18 years, showing 35-year-old Julian as a renowned surgeon. He’s giving a tour of the hospital to young college students and is shocked to come face to face with Destiny Bradshaw, who’s the spitting image of his beloved. She soon reveals to him that she’s Amber, reincarnated. After initial skepticism, Julian is thrilled; however, Destiny is only 18, and she and Julian have many obstacles ahead of them. Although this story requires a significant suspension of disbelief, Whitaker manages to deliver a moving tale of love and heartbreak that’s as absorbing as it is touching. The prose is fast-paced, accessible, and engaging, and the dialogue usefully moves the jam-packed plot forward, although the teenage characters sometimes speak with a maturity that feels like a bit of a stretch. Still, the tale is full of humorous and sentimental moments that illuminate the struggle of finding and maintaining a meaningful relationship. There are so many clever plot details and intriguing subplots, though, that the story might have fared better if it were told in multiple volumes or even as a series.

A quirky, uplifting love story.

Pub Date: Aug. 30, 2017

ISBN: 978-1-5496-4080-3

Page Count: 485

Publisher: CreateSpace

Review Posted Online: Jan. 17, 2018

Kirkus Reviews Issue: March 15, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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