For all its dystopian setting, this satisfying trilogy closer is full of pluck

THE SKELETON COAST

The postdiluvian Flooded Earth trilogy concludes as it began, with high-seas derring-do.

Ever since Will and Annalie’s father, Spinner, vanished at the onset of The Flooded Earth (2018), they’ve been searching for him along with their friends Essie and Pod (and of course Graham, their cybernetically enhanced talking parrot. Their dystopian world, flooded not from climate change but due to the hubris of weather-controlling scientists, is ruled by the wicked Admiralty. Spinner was studying the work of the scientists whose research created the Flood, and the Admiralty will stop at nothing to capture him—because they want to use his research to create weapons. The children must fight not only the Admiralty, but the many dangers that dot their world’s coastlines and oceans, beginning with a fight with pirates at the onset of this adventure. Along the way they rescue Pod’s young enslaved sister, cross the dangerous Outer Ocean, escape from deadly shadow whales and wild dogs, and repeatedly escape from the wicked Admiralty commander. And perhaps, they discover, not everyone in the Admiralty is wicked; once, “they were a force for good in the world.” If only the good members of the Admiralty can be convinced to see the horrors of the refugee camps, perhaps things can change. Race is unspecified, though there is some indication of whiteness among the Admiralty and the wealthy.

For all its dystopian setting, this satisfying trilogy closer is full of pluck . (Science fiction. 9-11)

Pub Date: Nov. 28, 2019

ISBN: 978-1-77278-099-4

Page Count: 288

Publisher: Pajama Press

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

Did you like this book?

Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits.

KNIGHTS VS. DINOSAURS

Who needs dragons when there are Terrible Lizards to be fought?

Having recklessly boasted to King Arthur and the court that he’d slain 40 dragons, Sir Erec can hardly refuse when Merlin offers him more challenging foes…and so it is that in no time (so to speak), Erec, with bookish Sir Hector, the silent and enigmatic Black Knight, and blustering Sir Bors with his thin but doughty squire, Mel, in tow, are hewing away at fearsome creatures sporting natural armor and weapons every bit as effective as knightly ones. Happily, while all the glorious mashing and bashing leads to awesome feats aplenty—who would suspect that a ravening T. Rex could be decked by a well-placed punch to the jaw?—when the dust settles neither bloodshed nor permanent injury has been dealt to either side. Better yet, not even the stunning revelation that two of the Three Stooges–style bumblers aren’t what they seem (“Anyone else here a girl?”) keeps the questers from developing into a well-knit team capable of repeatedly saving one another’s bacon. Phelan endows the all-white human cast with finely drawn, eloquently expressive faces but otherwise works in a loose, movement-filled style, pitting his clanking crew against an almost nonstop onslaught of toothy monsters in a monochrome mix of single scenes and occasional wordless sequential panels.

Epic—in plot, not length—and as wise and wonderful as Gerald Morris’ Arthurian exploits. (Graphic/fantasy hybrid. 9-11)

Pub Date: Oct. 23, 2018

ISBN: 978-0-06-268623-7

Page Count: 160

Publisher: Greenwillow Books

Review Posted Online: June 25, 2018

Kirkus Reviews Issue: July 15, 2018

Did you like this book?

No Comments Yet
more