Vivienne’s measured, astringent voice is riveting and her moral ambiguity deliciously disturbing until the disappointingly...
Leroy, whose fiction specializes in prickly mothers, turns from the paranormal (Yes, My Darling Daughter, 2009, etc.) to the historical in this story of torn loyalties during the World War II German occupation of the isle of Guernsey.
Originally from London, Vivienne has lived in Guernsey since she married Eugene, with whom she has had a loveless marriage. In 1940, with Eugene away in the military, Vivienne lives with her increasingly senile mother-in-law and her daughters, 4-year-old Millie and 14-year-old Blanche. Beset by indecision, Vivienne misses the chance to leave Guernsey with the girls before the Germans take over the island. Her anxiety, already high after German bombing kills a friend’s husband, rises when German soldiers move into the vacant house next door. But she also finds herself attracted to one of the captains, Gunther Lehmann, who offers her small favors like chocolate candy and a ride home in the rain. She rather quickly succumbs, and soon he is sneaking into her arms every night at 10 sharp. Vivienne compartmentalizes her passion for Gunther, her protectiveness toward her girls and her patriotic anger at the Germans. The lovers discuss their pasts but avoid the reality of their situation; it helps that Gunther evinces no respect for Hitler. When gossip spreads about her fraternizing, Vivienne skillfully defuses suspicion. Harder to ignore is the information she discovers about inhumane labor camps on Guernsey. By the third winter, the Germans begin to deport and incarcerate non-natives like Vivienne, but Gunther keeps her safe. Meanwhile, through Millie, Vivienne meets and helps an escapee from the labor camp. She is preparing the escapee’s breakfast one morning when Gunther shows up unexpectedly. She is not sure how much he knows or suspects, but shortly afterward, the escapee is tracked down and shot. Assuming he turned her in, she breaks with Gunther, only to learn the truth too late, after he has been transferred to the Eastern front.
Vivienne’s measured, astringent voice is riveting and her moral ambiguity deliciously disturbing until the disappointingly maudlin ending.Pub Date: June 28, 2011
ISBN: 978-1-4013-4170-1
Page Count: 416
Publisher: Voice/Hyperion
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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