THE NUDE

When the secrets behind an intriguing nude portrait trickle out into the open, a photographer and her artist lover must grapple with the fallout in Sisu’s masterful debut.

Photographer Gwen Mason has just opened up her own studio in Miami and hopes to find her niche in the trendy city. Though she lives with her divorcee mother and doesn’t think she’s interested in a relationship, meeting upcoming artist Adam Straker changes all that. Adam’s paintings are causing quite a stir in the art world, and Gwen knows she’s found something special. He might be 20 years her senior, but that doesn’t stop the couple from embarking on a passionate affair. Yet one of Adam’s paintings arouses Gwen’s curiosity like no other; it’s a striking portrait of a nude woman, one Adam keeps hidden and pointedly refuses to discuss. When Adam has the chance to land a spot in a prestigious New York City gallery, Gwen believes the painting will secure his place, and she shows “The Nude” to Adam’s manager without Adam’s knowledge. Though the painting clinches the New York deal, it starts an explosive chain reaction for Adam and Gwen. In the coming weeks, decades-old secrets of destroyed lives and loves, of tragedy and revenge, of greed and madness, are revealed at a cost no one could have foreseen. Sisu nicely ramps up the suspense with her excellent pacing, while her vibrant depiction of the art world breathes energy and authenticity into the narrative. Gwen and Adam’s stormy relationship rings true, though delving into Adam’s point of view earlier would have delivered a more well-balanced story. Gwen’s feistiness and sometimes bad choices make her sympathetic and fully human, and readers will root for her to discover her past and keep her man. But it is Sisu’s analysis of the creative process that forms the heart of this novel; she explores the artistic mentality in all its bizarre and often-misunderstood facets and digs deep into the dark underbelly of creative genius and its unintended consequences.    An enthralling first novel. 

 

Pub Date: Sept. 30, 2011

ISBN: 978-1465339225

Page Count: 257

Publisher: Xlibris

Review Posted Online: Jan. 26, 2012

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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