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THE CLAIRVOYANT

Thurm revisits favorite themes (death, interracial marriage, life in New York) in her characteristically lighthearted way in her fourth novel (The Way We Live Now, 1991, etc.), this featuring a Manhattan psychic who chats with ghosts and interferes compulsively with the lives of those he loves. Victor Mackenzie was eight years old when he saw his first ghost: that of Murray Weinbaum, recently deceased owner of the corner candy store, an ordinary fellow with whom the young boy had always felt a certain rapport. Murray's ghost acts as a guardian spirit, watching over Victor as he grows up clairvoyant to become a hip, high-priced, but very honorable psychic in trendy downtown Manhattan. Katha Randall, struggling New York artist and single mother, has no interest in psychics, but she hears such good things about Victor's sessions that she takes her best friend Lucy to see him on Lucy's birthday. After predicting rough waters in Lucy's apparently perfect marriage (Lucy, a black woman, is wed to Buddy Silverman, a successful white dentist), Victor falls in love with Katha despite the fact that her palm reveals that she's newly divorced and now living with another man. Soon Katha has started to love Victor back, and must struggle with the fact that she'll never know how much he's manipulating her life or how many of her secrets he's managed to intuit. Much unconvincing angst arises from this uncertainty (along with some minor meddling by Murray and other ghosts) before Victor's devotion to Katha, his obvious fondness for her daughter, and his good-natured efforts to save Lucy's marriage convince Katha that a psychic boyfriend with a heart of gold is (surprise!) better than a life of penury, loneliness, and regret. Like its protagonists, Thurm's latest is as brisk, charming, and good-natured as they come—but so slight that it leaves only a phantom aftertaste on the literary tongue.

Pub Date: June 1, 1997

ISBN: 0-944072-72-0

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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