A fast-paced adventure involving dinosaurs that should appeal to creationists.

LET THERE BE LIGHT

In this debut YA novel, a time traveler discovers that the Ice Age occurred several thousand years ago, matching the biblical account of Creation.

Bill Abrams is a scientist who aims to prove the Earth’s true age and development via his invention, a time machine he dubs the Light Assimilator, propelled by the sun’s ultraviolet rays. He questions the current scientific consensus that the Earth is billions of years old: “I am beginning to believe that man, dinosaurs, and even trilobites lived together on this planet surrounded by a tropical haven until something catastrophic happened.” Abrams travels to 2351 B.C.E. and discovers that the Earth is one giant continent, Saudi Arabia is a massive jungle, and a solid band of water is “located at the edge of outer space where the ozone layer is today.” In between some exploits and narrow escapes, Abrams documents his findings—including dinosaurs and Noah’s Ark. Sadly, all his evidence is lost when Halley’s Comet disrupts the water belt, causing a great flood. Now convinced that Genesis is true, Abrams decides: “I must also believe in the remainder of the Scriptures,” including the New Testament, and is converted to Christianity. Though he returns to the present, the government gets involved, suppressing this new knowledge—for now. In his novel, Leonard offers a fast-moving, Jules Verne–like story with dangers, escapes, and dinosaurs. It’s backed by science-ish explanations; for example, ultraviolet rays act like a magnet somehow to propel the craft. This detail is perplexing, though—why isn’t the time machine just drawn straight into the sun? Even more controversial, for the science-minded, is the tale’s evidence for Abrams’ theories—including that dinosaurs, trilobites, and humans lived together on Earth—for which it is easy to find, for those who care to look on the internet, well-reasoned debunking. (A short creationist bibliography is included.) Leonard also repeatedly identifies Abrams as an archaeologist, though he performs climate science and wrote his thesis on radiation propulsion. The author’s insistence that early humans were all light-skinned, together with Abrams’ conversion to Christianity, may also bother some readers.

A fast-paced adventure involving dinosaurs that should appeal to creationists.

Pub Date: May 28, 2015

ISBN: 978-1-4908-7300-8

Page Count: 190

Publisher: Westbow Press

Review Posted Online: March 2, 2017

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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