by Marlena de Blasi ‧ RELEASE DATE: Jan. 26, 2007
Delicious.
A third sumptuous volume about the author’s quest to find a home in Italy.
After A Thousand Days in Venice (2002) and A Thousand Days in Tuscany (2004), de Blasi and her husband move to Umbria, a place where “stories and sins are passed down like sets of silver.” There, they enter into a complex, decidedly Italian contract with a local family, the storied Ubaldini, who own a grand, decrepit palazzo. The couple will pony up money to repair the old building, then move in for a few years of rent-free living. While the palazzo is being made habitable, they set up house in a charming cottage—charming, that is, except for the mold and the absence of a kitchen, which poses quite a challenge for the gourmand author. In describing this new life in Umbria, de Blasi follows the formula of her two earlier books, and it works like a tried-and-true recipe. The local eccentrics (and all the locals are eccentric, of course) are charming and sometimes speak real wisdom, though not so often as to be precious. When one of de Blasi’s friends cautions her that “Most all of us abide in ruins. . . . Our own, the ones we inherit,” he is speaking about more than old houses. The food, of course, is an epicurean’s fantasy. The author prepares and includes the recipes for “rustic, refined” dishes like pan-sautéed pears with pecorina and brown-sugar gelato with caramelized blood oranges. In her hands, food also becomes the stuff of metaphor and simile: Her eye shadow is a dab of milk chocolate, she flicks away fatigue “like crumbs of old cake,” walls are red like pomegranate seeds. De Blasi is a skilled, quirky writer; her prose is by turns reserved, rococo, earthy and, above all, fresh—fresh, like rich cream and strawberries, she might say.
Delicious.Pub Date: Jan. 26, 2007
ISBN: 1-56512-473-1
Page Count: 336
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
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by Alice Sebold ‧ RELEASE DATE: Aug. 1, 1999
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...
A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.
In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.Pub Date: Aug. 1, 1999
ISBN: 0-684-85782-0
Page Count: 240
Publisher: Scribner
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: June 1, 1999
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edited by Alice Sebold with Heidi Pitlor
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by Common with Adam Bradley ‧ RELEASE DATE: Sept. 13, 2011
An intriguing look at an iconoclast’s cultural accomplishments.
Beloved, controversial performer discusses fame and the deeper meanings of his life.
Common, subject of Fox News’ ire following his White House poetry recitation, has long been acclaimed as a thoughtful and deft hip-hop artist. In his memoir—co-authored by Bradley (Book of Rhymes: The Poetics of Hip Hop, 2009, etc.)—he suggests great consciousness of the cultural legacy he carries: “Chicago blackness gave me understanding, awareness, street sense, and a rhythm. I learned the way that soulful people move, act, and talk.” He portrays himself as an openhearted, curious kid, trying to understand the tumult of Chicago’s African-American South Side. Obsessed with girls from an early age, he would go to the city’s museums to meet them. At the same time, he was rhyming in private, and he gave up basketball in high school to concentrate on rap, which he saw as similarly competitive. Common writes frankly about his youthful involvement with gang culture, portrayed as an inevitable rite of passage that became increasingly violent: “Crack hit the South Side of Chicago like a balled up fist.” Varied influences—his mother, friends, artistic ambitions—steered him away from it and toward a more “conscious” existence. By 1989, his early demos as Common Sense were drawing industry attention, and he dropped out of college to pursue this calling, over his mother’s objections. Much of what follows is a funny, honest showbiz narrative, moving from hip-hop to film acting. Interestingly, each chapter begins with a “letter” to someone significant in his life: e.g., his mother and father (early chapters discuss their tumultuous relationship), Emmett Till, former girlfriend Erykah Badu and collaborator Kanye West. Additionally, his mother offers occasional italicized counterpoint. As a memoir, the book succeeds based on Common’s candor, intelligence and charm, despite occasional artificial passages and broad platitudes, and he writes powerfully about his connection with President Obama.
An intriguing look at an iconoclast’s cultural accomplishments.Pub Date: Sept. 13, 2011
ISBN: 978-1-4516-2587-5
Page Count: -
Publisher: Atria
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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