In this collection, visionary poet Montney opens the doorway to the soul to uncover love’s uncharted essence.

For centuries poets and philosophers have tried to explain the special relationship between lovers and people in love and to understand the intrinsic language communicated between them. The means to articulate love are often beyond the comprehension of most people, so leave it to a poet who is also a philosopher to scrape back this sacred marrow of passion and strength and make the concept remarkably palpable and present; “Ablaze with you, I burst / into transformed day” (“To an Island girl: Twenty-three for Debbie”). Through his poetic lens and questioning mind, award-winning poet and teacher Montney has attempted to bridge his love of words and his love of thought as a means to find deeper understanding. For more than 35 years, his experiences as a writer, lecturer and teacher of Asian and Indian philosophies have colored his voice to form a challenging yet enjoyable style; “Where have you been, my sweet, my man /  for many a long year? / Where have you been, my Kojiyan, / these many a long year?” (“The Eurasian girl to her love”). A good writer uses his life as a camera to help influence his writing; a great writer synthesizes these experiences into touchstones to create a path of knowledge for the reader; “what’s in the unrouged smile / of a mother’s lips pressed together / speaking softly to her four-year-old-son / on the streetcar; in the wired braces / revealed of her grinning nine-year-old / daughter seated opposite” (“What love is”). Montney certainly falls into the latter category. He transports us with words to the lush shapes of Hawaii or the rugged outdoors of Oregon and takes us to new mental plateaus as well. Invoking Plato, Socrates, Ram Dass, Ikhnaton and others, he shows his depth of ability to weave all his knowledge into a variety of poetic styles and rhythms, granting wider personality than if he were merely waxing about love in prose. Not only does this collection include his noted works “Lynne” and “Song of Sophroniscus’ Son,” but several other pieces that will likely further this author's acclaim. A great read for lovers, lovers of poetry and those with an interest in philosophy.


Pub Date: Dec. 14, 2010

ISBN: 978-1432702267

Page Count: 72

Publisher: Outskirts

Review Posted Online: Dec. 27, 2011

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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