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THE MARE

Gaitskill explores the complexities of love (mares, meres…) to bring us a novel that gallops along like a bracing bareback...

A young Dominican girl from the mean streets of Brooklyn forges a relationship with a white woman living in a bucolic upstate town and learns to love horses and respect herself.

Eleven-year-old Velvet has a soft name, but there’s nothing even remotely plush about her life in a rough part of Crown Heights, Brooklyn. Abused (mostly, but not only, verbally) by her mother, a tough immigrant, Velvet has little to call her own (she keeps her treasured objects—a shell, a dried sea horse, a broken keychain doll—in an old cotton-ball box in the back of a closet) and few friends, almost no one she can trust. Velvet’s mother clearly prefers her 6-year-old son, Dante, singing him to sleep at night with her back to Velvet in the family’s shared bed. Instead of comfort and cuddles, Velvet gets the message that she’s “no good”—not that it’s really her fault; it’s just that her blood is bad. While Velvet craves her mother’s love and attention, Ginger, a 47-year-old sometime artist recovering from alcoholism and drug abuse, an abusive relationship, and the death of her troubled sister, finds herself yearning for a child. Now living a comfortable life in upstate New York with Paul, her college-professor husband, Ginger has decided to “test the waters” of adoption by hosting a Fresh Air Fund kid for a couple of weeks, a commitment that stretches far longer and deeper. That’s how Velvet and Ginger meet, and it's also how Velvet meets a mistrustful and mistreated horse at the stable next door to Ginger's house, the horse the others call “Fugly Girl” and she renames “Fiery Girl,” whom she will tame and train, and who will do the same for her. Alternating primarily between Velvet's and Ginger’s perspectives, with occasional observations from other characters, National Book Award finalist Gaitskill (Veronica, 2005, etc.) takes a premise that could have been preachy, sentimental, or simplistic—juxtaposing urban and rural, rich and poor, young and old, brown and white—and makes it candid and emotionally complex, spare, real, and deeply affecting.

Gaitskill explores the complexities of love (mares, meres…) to bring us a novel that gallops along like a bracing bareback ride on a powerful thoroughbred.

Pub Date: Nov. 3, 2015

ISBN: 978-0-307-37974-0

Page Count: 464

Publisher: Pantheon

Review Posted Online: Aug. 2, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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