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BOAT PEOPLE

This tale of Vietnamese immigrants and others in Galveston, Tex., has some great moments, but it also has so many characters that none of them can be explored in depth. Hai Truong is a Vietnamese woman who has been hospitalized due to the presence of her ``ghost husband.'' Her husband, believing that American doctors can ``fix'' his wife, unknowingly gives his consent for her to have electroshock therapy. Her young daughter, Linh Nguyen, is trying to keep house for her father in her mother's absence. Linh Nguyen's friend Trang Luu lives with an abusive aunt and uncle and dreams of locating her American father. Lang Nguyen (no relation to Linh) is a resident at the hospital who interprets for the newly arrived immigrants but also feels distant from them due to class differences. Despite his claim that he is saving himself for marriage, he begins a sort-of flirtation with a white nurse. African-American Azelita works in a school office, while her sister encourages her to go to college and become a teacher. Xan Tuan My Van is in remedial classes at the same school and acts out by randomly performing kung fu. All of these situations are set up, but then little actually happens, and the characters rarely interact with one another in more than superficial ways. There are plenty of instances in which the Vietnamese are misunderstood. Well-meaning white people say things like ``Usually the Orientals are saints. Work done, smiles, eager to help,'' and when Xan starts to do better in school, his fisherman father shows up during class and delivers a load of shrimp to the boy's teacher in gratitude. Gardner (Milkweed, 1994) uses a steady third-person voice but struggles to present a multitude of points of view that never mesh. Sets out to show how unique and complex relations between different cultures are, but ends up singing a few rousing choruses of ``It's a Small World.''

Pub Date: March 1, 1995

ISBN: 0-393-03738-X

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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