Convoluted meditations by women on love and displacement—in Gordon's first fiction since The Other Side (1989). In ``Immaculate Man,'' the best of the three novellas here, a divorced middle-aged New York social-worker is pondering her love affair with a Catholic priest, Father Clement, hitherto a 43-year- old virgin. What Clement has done for this agnostic woman, fast losing her attractiveness, is revive her faith in ``appetite''; what she has done for him is less positive: ``I think that being my lover has displaced him.'' At the least, she has caused this guileless man to dissemble. Is she simply a bridge to other relationships that will further taint his spirituality? The middle- aged protagonists of ``Living at Home'' court displacement. Lauro is Italian, a death-defying journalist who covers revolutions; his thrice-married lover is the English daughter of German Jews, a doctor working with autistic children (who represent the terror of total displacement). The two live together in London when Lauro is not traveling; the arrangement (``mated but, in the way of our age, partial'') works, for their relationship is rooted in ``satisfied desire.'' It is Paola Smaldone, in the title piece, who has experienced the most extreme displacement. A native of Turin, Italy, she agreed in 1927 to a suicide pact with her profoundly unhappy and romantic teenage lover. Leo shot himself; Paola balked. Her adoring father, overwhelmed with shame, sent her to America. Now, 63 years later, she is back visiting with her son and his girlfriend, seeking the ``line running through her body like a wick'' that will connect the passionate girl to the anesthetized adult who has sleepwalked through ``the rest of life.'' These novellas grow through the slow accretion of thoughts and images rather than plot and dialogue; this makes them hard going, Gordon's elegant language notwithstanding. In their rarefied atmosphere, her lovers' passion is a pale fire and, finally, unconvincing.
Pub Date: Aug. 1, 1993
ISBN: 0-670-83828-4
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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