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One for the Ark

A delightfully lighthearted tale that engages serious issues through farce.

A novel about big ideas in a small town.

Thomas Donaldson became the mayor of Stirling, Wisconsin, in the hope of eventually running for the state senate. Reviving a small, failing town, he thinks, would count as evidence of qualification for grander office. However, he learns that George McBurney has posted a sign on his 600-acre farm announcing his plan to build a full-scale model of Noah’s Ark as an expression of his religious belief. Thomas tries to dissuade him, but George is fiercely committed to his “Big Idea” and prepared for a protracted political fight if anyone tries to stop him. Meanwhile, Martha Downing reports that she witnessed the image of the Blessed Virgin Mary, often called “BVM” for short, emblazoned on a cement wall of an underpass. Lowell Waller visits what many immediately interpret to be a shrine and regains the power of speech that he lost following a stroke. Martha and some other like-minded enthusiasts waste no time in declaring Lowell’s boon a miracle. Thomas struggles to balance his own genuine religiosity with his desire to avoid public embarrassment. Meanwhile, he tries to delicately handle public opinion about the prospect of George’s ark, which he views as a ridiculous future eyesore. Thomas also learns that his daughter, once a star student at Yale University, is undergoing hormonal therapy to become a man. Author Reed’s (Saluting the Sun, 2015, etc.) novel is wildly implausible and flirts too conspicuously with attempts to make the plot serve a greater lesson. As is often the case with intentional farce, some of the characters are reductive caricatures—more like personified punch lines than fully fleshed-out people. However, the story is so inventive and genuinely funny that readers should be able to forgive its heavy-handedness. Reed dishes out ridiculousness without devolving into manic slapstick and courageously tackles controversial issues with a graceful touch. The author rightfully lets her characters speak for themselves as much as possible, with sharp-tongued dialogue that never seems overly contrived.

A delightfully lighthearted tale that engages serious issues through farce. 

Pub Date: Aug. 1, 2016

ISBN: 978-0-9962525-5-3

Page Count: 256

Publisher: Ampersand Editions

Review Posted Online: Sept. 22, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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