A perfect fit for the romance lover’s beach bag.
Bestseller Andrews introduces Greer Hennessy, a third-generation worker in the film industry, whose difficult background and current job trigger a flood of problems.
Greer’s personal life is a mess, and her professional one is no laughing matter, either. Following an incident involving a fire on her previous job, the location scout/manager is hoping to redeem herself working for Hollywood’s newest golden boy, director Bryce Levy. Although the script for his latest movie is vague and ever changing, Greer finds him the perfect location, a small dot on the map along Florida’s Gulf Coast fraught with heat, humidity, palmetto bugs, and little else. Economically stagnant Cypress Key has seen better days, and Greer assumes its citizens will jump at the opportunity to make some quick cash and spotlight their town. The area also features an old ramshackle building along the waterfront that’s perfect for the final scene—so long as Greer can secure permission to blow the erstwhile Cypress Key Casino to smithereens. Mayor Eb Thibadeaux (who apparently emulates Dr. Seuss’ Bartholomew Cubbins in the hat-wearing department: he’s also co-owner of a local motel, a realtor, grocery store and boat repair shop owner, and town engineer) is skeptical about the benefits of having a film crew invade the town, and he’s definitely against Greer’s plans for the historic structure. But he’s attracted to Greer, and she to him. A romance quickly develops, then ebbs and flows as a tidal wave of complications creates misunderstandings between the two—and there are plenty as Andrews floods the story with several secondary characters and subplots. The author uses her tried-and-true formula to good effect, though. As in many of her preceding novels (Save the Date, 2014, etc.), Andrews masterfully creates an entertaining story filled with likable characters and a few lightweight, havoc-wreaking troublemakers. Although far-fetched, it’s entirely fun.
A perfect fit for the romance lover’s beach bag.Pub Date: May 19, 2015
ISBN: 978-1-250-06593-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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