A half-baked pop-fiction casserole by Hayes (The Winter Women, Amethyst) about three brat-packish bosom buddies who come of age in the eye of a veritable tornado of outlandishness. Take poor Saint (Sloane St. John Treadwell, Jr.), a maladjusted rich kid turned writer of trendy novels and screenplays. In Hayes's garbled words, ``It was a desolate thing to find out he was not a Treadwell, that his father had never been his father.'' He grows more desolate still when his ``sexually ravenous'' wife gets him put into a Mexican jail and he learns that his real dad is Victor Diamond, an insane Hollywood producer scheming to start a master race of...megalomaniacal Hollywood producers. Fortunately, Saint's two best friends stand by him. They are the talented but fat British girl Vera Brown, who creates a superwoman comic-strip called Starfire,'' which Saint publishes (``I just got a lot of money, Vera. Five million dollars. I was wondering what to do with it''); and the much abused and thus frigid Texas beauty J.B. Feeney, who plays the lead in Starfire: The Movie and sells herself to Diamond in exchange for help getting Saint out of jail. The climax to the whole megillah comes during filming of Starfire II, on a Mexican beach where Saint finally figures out he loves Vera; an unlikely Napa Valley doctor releases J.B. from bondage to the producer; and Diamond loses his head (in the literal sense) thanks to the skillful machete-wielding of a Mexican drug-dealer. Patently ridiculous, utterly 2-D, though it might attract a high school readership, since it's the sort of book adolescents would be tempted to hide behind their algebra texts.
Pub Date: May 27, 1991
ISBN: 0-525-24975-3
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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