A half-baked pop-fiction casserole by Hayes (The Winter Women, Amethyst) about three brat-packish bosom buddies who come of age in the eye of a veritable tornado of outlandishness. Take poor Saint (Sloane St. John Treadwell, Jr.), a maladjusted rich kid turned writer of trendy novels and screenplays. In Hayes's garbled words, ``It was a desolate thing to find out he was not a Treadwell, that his father had never been his father.'' He grows more desolate still when his ``sexually ravenous'' wife gets him put into a Mexican jail and he learns that his real dad is Victor Diamond, an insane Hollywood producer scheming to start a master race of...megalomaniacal Hollywood producers. Fortunately, Saint's two best friends stand by him. They are the talented but fat British girl Vera Brown, who creates a superwoman comic-strip called Starfire,'' which Saint publishes (``I just got a lot of money, Vera. Five million dollars. I was wondering what to do with it''); and the much abused and thus frigid Texas beauty J.B. Feeney, who plays the lead in Starfire: The Movie and sells herself to Diamond in exchange for help getting Saint out of jail. The climax to the whole megillah comes during filming of Starfire II, on a Mexican beach where Saint finally figures out he loves Vera; an unlikely Napa Valley doctor releases J.B. from bondage to the producer; and Diamond loses his head (in the literal sense) thanks to the skillful machete-wielding of a Mexican drug-dealer. Patently ridiculous, utterly 2-D, though it might attract a high school readership, since it's the sort of book adolescents would be tempted to hide behind their algebra texts.
Pub Date: May 27, 1991
ISBN: 0-525-24975-3
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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