Readers will enjoy forming their own opinions on who was really the victim here.
The early years of thwarted artist Alma Mahler, a still-controversial woman.
Bourgeois bohemian dilettante? Genius foiled by early-20th-century gender bias and bad romantic decisions? These historical appraisals receive equal airing in Sharratt’s (The Dark Lady’s Mask, 2016, etc.) thought-provoking novel, which takes Alma, nee Schindler, from age 19 to 31. Beautiful and musically gifted, Alma is viewed by her mother and stepfather as ripe for the marriage market: they refuse to allow her to enter a conservatory and only grudgingly agree to her taking counterpoint lessons from composer Alex von Zemlinsky. The two fall in love, appearing to be true soul mates, but her parents won't allow her to marry a Jew. They reverse this position when Alma, at 22, transfers her infatuation to the much older and more successful Jewish composer Gustav Mahler, director of the Viennese Court Opera. Although Mahler’s proposal comes with the condition that Alma forego composing, she marries him anyway. Over the years, as Alma gives birth to two daughters, the marriage founders. Alma regrets the loss of her own creative soul, and Mahler grows increasingly obsessed with work, treating her more as hausfrau than muse. Vienna’s entrenched anti-Semitism drives the couple to New York, where Mahler escapes European critical ridicule to enjoy acclaim and riches, first as principal conductor of the Metropolitan Opera and then of the newly reorganized New York Philharmonic. Their eldest child’s death from diphtheria and Alma’s subsequent miscarriages further strain the relationship, particularly since Mahler seems to blame Alma for these tragedies. Crises mount as Alma takes a rest cure for a nervous breakdown and Mahler is diagnosed with a heart condition. At the sanatorium, Alma meets 27-year-old architect Walter Gropius, and once more she confuses her desire for self-realization with other desires. Sharratt is adept at presenting the internal conflicts that dog her protagonist, with the close third-person narration capturing her often skewed perspective. The known biographical facts suggest that Alma could never reconcile her ambitions with her era’s constraints on women. In Sharratt’s bracing portrayal, though, Alma’s limits seem largely self-imposed.
Readers will enjoy forming their own opinions on who was really the victim here.Pub Date: April 10, 2018
ISBN: 978-0-544-80089-2
Page Count: 400
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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