Despite some genuinely lovely bits of lyrical description, the usual roundup of quirky characters never comes to life within...

SHIP SOONER

Second novel from Sullivan (Stay, 2000), featuring an eponymous heroine who has an unusual physical condition that sets her apart in a small Massachusetts community.

Because of her abnormally powerful hearing, 13-year-old Ship must wear ear-caps to block the onslaught of sound that otherwise overwhelms her. Ship’s mother, Teresa, abandoned 11 years ago by her husband, supports her two daughters by baking pies for a local diner. Ship’s only friend is her neighbor Brian; the kids amuse themselves by taking advantage of her exceptional hearing to listen in on people’s dirty secrets. Brian’s own family secret is developed as a heavy-handed mystery comprised of unexplained Sunday outings, a mother who won’t leave the house, an overly hearty father, an accident Brian won’t discuss, and someone named Johnny mentioned occasionally by mistake. Meanwhile, older sister Helen, a tenth-grader, who is unrelentingly mean to Ship, has taken up with the stereotypical local rich boy Owen. Already sensing that Brian is also drawn to Helen, Ship is heartbroken when she witnesses her sister giving the boy a blow job at vicious Owen’s urging shortly before Christmas. After Christmas Brian disappears without warning, and his parents won’t tell Ship where he’s gone. As Easter approaches, Brian is still gone, and Helen is still mean (she’s been dumped by Owen). Walking in the woods, Ship finds an abandoned newborn and guesses it is Helen’s; she’s right, but the clues, like so much of the plot and character development here, feel contrived. Ship spends the next two days wandering around town, hiding from her family and trying to care for the increasingly hungry infant. Coincidently, Brian returns with his mentally damaged brother—you guessed it, someone named Johnny. After a moment of almost tragic violence, Brian’s family reconciles, Teresa (with Helen in tow) finds Ship, and the baby finally gets fed.

Despite some genuinely lovely bits of lyrical description, the usual roundup of quirky characters never comes to life within the manufactured plot.

Pub Date: Feb. 1, 2004

ISBN: 0-06-056240-4

Page Count: 240

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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