Emily's reason enough to look twice at this sensitive, simmering little gem of a debut.
A young girl shocked into silence by her twin's death traces the summer of 1974, as her family races toward deepening crisis.
At a distant glance, Donald Stone’s family might seem like material for an update of Cheaper by the Dozen. The inventor and his uncomplaining wife live with a houseful of children—John, Hope, Sarah, Elizabeth Ruth, Emily, Luke, and baby Owen—in little Cawood, Massachusetts, and vacation in Martha’s Vineyard, where everybody knows everything about everybody else. One of the things everybody knows about the Stones, however, is that their crowded house has seemed empty since their daughter Emily’s twin brother Ham, 11, drowned during their last trip to the Vineyard, and that the family’s never been the same since. Emily has refused to talk, on the grounds that “if I said something now, I'd be like them”; the widening distance between her parents looms like a treacherous gulf; and as everybody waits anxiously to see whether Donald can invent a worthy successor to his Magic Rose (the Tiger Soap and the Supergrow Instant Fertilizer were disappointing flops), such commonplace expressions of irritation as “Dad’ll kill us” come to have an ominous edge. Constantly prodded to break her silence, Emily thinks about talking, and comes closer and closer to forming the words, but still says nothing, even when her silence endangers flirtatious Elizabeth Ruth. When her father packs his troop into a car for a return trip to Martha’s Vineyard, it’s clear that the story is heading toward a showdown, but first-novelist Sullivan, who has a real knack for getting inside Emily without making her sound like a prodigy or a freak, keeps both the nature of her climactic revelations and their import hidden up to the very last minute—and in some ways beyond.
Emily's reason enough to look twice at this sensitive, simmering little gem of a debut.Pub Date: Nov. 1, 2000
ISBN: 1-58195-025-X
Page Count: 176
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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