A taut, disturbing family tale.
A dark novella focuses on the primal fears that befall parents—and anyone else who has endured the uncertainty of sleepless nights.
Parents often talk of the long evenings that come with caring for a newborn, but Richard and Lissa Platte face another level of struggle. Their 14-month-old child, Asher, has night terrors, and they’ve barely slept in the last six months. For Richard, every evening turns into “an ocean without shores.” He sadly wonders about the “terrible dreams” that plague his son. As the Plattes’ grip on reality slips away—Asher fussing and biting at day care, Lissa faltering on the careful preparation and style that propelled her to manage her own salon, and Richard losing time and awareness, forgetting the simplest of tasks or obligations—they begin to question whether something more sinister is going on. The flickering lights and sounds of their baby monitor seem to taunt them, and they each know that a breaking point—and a reckoning—will come. Their home, their lives, their jobs, their family have all become haunted, and when they find out what’s to blame, there’s no telling if they’ll ever recover. Ingwalson’s (Owl & Raccoon: Locked, 2016, etc.) narrative is effective and suspenseful, and while the conclusion at first appears to be a standard, urban legend-style twist, the ending is more complex and satisfying than that. At times, the prose needs some editing, as convoluted sentences get in the way of the mood: “She picks her phone up from a bedside table she found antiquing and sanded down and replaced the handles with little jewels and she did all these things herself.” But there are certainly instances when the minimalist writing style really impacts the reader, cutting to the core of the story: “There comes a moment when adults see past the flesh, past the noise and know themselves, and Richard thinks, Oh please, please don’t let this be that moment. This can’t be me.” While some readers may feel that the short length leads to a lack of details about the characters and their surroundings, others should enjoy the tight pacing and claustrophobic dynamic.
A taut, disturbing family tale.Pub Date: Feb. 28, 2017
ISBN: 978-1-5423-1125-0
Page Count: 124
Publisher: CreateSpace
Review Posted Online: April 20, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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