An overstuffed ode to bygone pop culture and the unattainable literary life.
When a metal head princess, a reformed junkie, a fast-talking woman of God, and a despondent retired teacher walk into a book, unpredictable chaos ensues.
In his amusing but disjointed new novel, the author of The Silver Linings Playbook (2008) channels four troubled narrators to varying effect. First we meet Portia Kane, an aging trophy wife about to shoot her porn-producer husband and his perky teen lover. Then she wisely abandons this plan and storms out, instead embarking on a quest to save her hoarder mother, her suicidal high school English teacher, and—you knew this was coming—herself (in an awkward little subplot, this involves publishing a book that gets a poor Kirkus review). The teacher, Mr. Vernon, barely survived a beating by one of his students and now lives alone in the woods with a broken spirit, a lot of wine, and a dog named Albert Camus. (Quick does his best work with Vernon, who lusts after “the noses of Jewish women” and waxes nostalgic for “late PBS painter Bob Ross.”) Portia lands on his doorstep in time to delay his death but not before she reconnects with a hometown friend’s handsome brother, who’s been crushing on her for 20 years and later chronicles their relationship in his own section. Need a breath yet? Take one now, before the nun. Our final tour guide is Sister Maeve Smith, who speaks from beyond the grave via letters to her son, aka Mr. Vernon, after she meets Portia on a plane. Call it fate, call it coincidence, call it too much plot—either way, you can’t fault Quick for being short on ideas. All his books have been optioned for movies, including this one, and they almost make more sense that way: it’s easy to imagine this quartet of busy narrators, whose similar voices sometimes fall flat on the page, brought to life beautifully by the right cast.
An overstuffed ode to bygone pop culture and the unattainable literary life.Pub Date: June 16, 2015
ISBN: 978-0-06-228556-0
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: March 20, 2015
Kirkus Reviews Issue: April 1, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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