Superb print version of a video game shoot-’em-up.
Third installment in the way, way over-the-top action adventures of US Marine Shane “Scarecrow” Schofield, and the best yet from this Australian author (Contest, 2003, etc.).
Called Scarecrow because of his disfigured eyes, Schofield and a crack crew of Delta Force soldiers rush to a Siberian sub repair base that’s been overrun by Islamic terrorists who have seized a cache of nuclear missiles. But instead of terrorists, Schofield finds a trap set by competing teams of international bounty hunters who’ve already killed two Delta Force soldiers on an $18.6 million-per-head kill list that also has Schofield’s name on it. The list of 15 super-soldiers, spies, scientists and one terrorist was complied by Majestic 12, a secret council of supremely rich multinational military industrial complex tycoons who not only buy and sell governments but have been responsible for every late-20th-century conspiracy from the assassination of JFK to Clinton’s impeachment trial—except for 9/11. Thus begins a serious of breathless, thoroughly contrived, but immensely entertaining action scenes in which Schofield, fellow soldiers Libby Gant, Book II, and Mother join with bounty hunter Aloysius Knight (being paid by an anonymous client to protect Schofield) and Knight’s trusty pilot Rufus as they take on killer sharks, fancy sports cars, helicopters, jet aircraft, a supertanker, an entire aircraft carrier, X-15 rocket planes, and the combined air forces of five African nations to stop a plot to pit rival countries against each other and plunge the world into anarchy. The action is so accomplished that we don’t care about cheesy Star Wars dialogue, as when Jay Killian, the Ralph Lauren–wearing head of a multinational arms-manufacturing company, mercilessly guillotines one of Schofield’s buddies and Schofield vows to “kill them all.” An endless stream of interchangeable bad guys wind up “deader than disco,” and everyone agrees when the US President intones of Schofield that “the fate of the free world could be resting on that man’s shoulders.”
Superb print version of a video game shoot-’em-up.Pub Date: March 24, 2004
ISBN: 0-312-28958-8
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2004
An improvement over The Dead Zone, with King returning to his most tried-and-true blueprint. As in The Shining, the psi-carrier is a child, an eight-year-old girl named Charlie; but instead of foresight or hindsight, Charlie has firestarting powers. She looks and a thing pops into flame—a teddy bear, a nasty man's shoes, or (by novel's end) steel walls, whole houses, and stables and crowds of government villains. Charlie's parents Vicky and Andy were once college guinea pigs for drug experiments by The Shop, a part of the supersecret Department of Scientific Intelligence, and were given a hyperpowerful hallucinogen which affected their chromosomes and left each with strange powers of mental transference and telekinesis. When Vicky and Andy married, their genes produced Charlie and her wild talent for pyrokinesis: even as a baby in her crib, Charlie would start fires when upset and, later on, once set her mother's hands on fire. So Andy is trying to teach Charlie how to keep her volatile emotions in check. But when one day he comes home to find Vicky gruesomely dead in the ironing-board-closet, murdered by The Shop (all the experimental guinea pigs are being eliminated), Andy goes into hiding with Charlie in Manhattan and the Vermont backwoods—and Charlie uses her powers to set the bad men on fire and blow up their cars. They're soon captured, however, by Rainbird, a one-eyed giant Indian with a melted face—and father and daughter, separated, spend months being tested in The Shop. Then Andy engineers their escape, but when Andy is shot by Rainbird, Charlie turns loose her atomic eyes on the big compound. . . . Dumb, very, and still a far cry from the excitement of The Shining or Salem's Lot—but King keeps the story moving with his lively fire-gimmick and fewer pages of cotton padding than in his recent, sluggish efforts. The built-in readership will not be disappointed.
Pub Date: Sept. 29, 1980
ISBN: 0451167805
Page Count: 398
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1980
BOOK TO SCREEN
BOOK TO SCREEN
Intelligent, honest, and unsentimental.
Greenwood’s powerful, provocative debut chronicles a desolate childhood and a discomfiting love affair.
Wavy (short for Wavonna) is only 5 when we meet her in 1975, but she’s already been thoroughly traumatized by her meth-addicted mother, Val, whose stint in jail sends the girl to her Aunt Brenda’s house in Tulsa. Wavy barely talks and doesn’t eat—or rather, her cousins discover one night, eats out of the garbage pail when everyone else is asleep. We learn after Val is paroled and reclaims Wavy that Scary Mama has been known to stick fingers down her daughter’s throat to remove “dirty” food and then wash out Wavy’s mouth with Listerine. Her drug-dealing husband, Liam, mostly keeps to his own quarters on their ranch compound; his open infidelities send Val into fits of immobilizing depression and catatonia-inducing substance abuse, while Wavy struggles to take care of baby brother Donal and keep attending school. Only Kellen, a low-level enforcer for Liam who is also the survivor of childhood neglect, shows her any kindness or care. As the years go by in Greenwood’s episodic tale, we see this affection-starved girl and damaged man fall in love. Wavy is only 13 when their relationship turns sexual, and when Aunt Brenda finds out, she labels Kellen a rapist and works to keep them apart. The multiple narrators don’t mince words as they describe a thoroughly sordid milieu and various squalid events that climax in a violent denouement that threatens to separate Wavy and Kellen permanently. Greenwood limns her characters with matter-of-fact empathy, inviting us to respect the resourcefulness and resilience with which Wavy surmounts her dangerously disordered circumstances to craft a life and a love. It’s no storybook romance, but the novel closes on a note of hard-won serenity, with people who deserve a second chance gathered together.
Intelligent, honest, and unsentimental.Pub Date: Aug. 9, 2016
ISBN: 978-1-250-07413-3
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
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