An insouciantly witty celebration of the mingled folly and grandeur of physical love and its discontents. The best so far...

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THE LAST NIGHT I SPENT WITH YOU

The Cuban-born author's fifth novel (and third in English translation, following In the Palm of Darkness, 19xx, and The Messenger, 19xx) depicts in profuse erotic detail the temptations to which a middle-aged married couple separately succumb during a Caribbean vacation voyage.

Fernando, a seemingly stodgy accountant, and his lively (slightly older) wife Celia journey around the islands, en route to Martinique, in the wake of their only daughter's marriage and their own aroused awareness of time passing—and mortality. He dallies with a sultry fellow passenger, Julieta (amusingly enough, she says she's a harpist), while indulging rather less celestial memories of his many happy couplings with Celia, as well as the occasional past infidelity. Celia, meanwhile, remembers her own satisfying sexual career (Fernando doesn't know she has carried on an extended affair with her importunate lover Agustin) and enjoys a fling with a remarkably endowed black boatman. Meanwhile, the seductive rhythms of the bolero are continually heard in the novel's background, and further counterpoint is provided by a series of letters addressed to an unidentified `Angela` by her lover `Abel.` The mystery of their correspondence, and its connection to the relationship of Fernando and Celia, is deftly revealed in the complex denouement—which also explains the enigmatic Julieta's true nature. Montero also deepens the story’s agreeably bizarre texture with frequently hilarious comparisons of the varieties of human sexual response to the mating rituals of numerous other lovestruck creatures (informing us, for example, that `the curved claws of . . . male owls are out of control during coitus, they leave the soft backs of their mates permanently bent`).

An insouciantly witty celebration of the mingled folly and grandeur of physical love and its discontents. The best so far from one of Latin America's most impressive recent exports.

Pub Date: July 1, 2000

ISBN: 0-06-095290-3

Page Count: 128

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2000

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Shalvis’ latest retains her spark and sizzle.

ALMOST JUST FRIENDS

Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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