In these tasty noir stylings, you can almost smell the smoke and hear the clinking of ice cubes.


A schoolteacher gets jumpy when her brother falls for sizzling hot dame.

Well, it’s not quite as sleazy as that, but this first novel has everything one could hope for in a noir without ever seeming imitative or stale. The author of The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir (not reviewed), Abbott knows just how to set her readers up for her taut little tale set, natch, in the City of Angels in the 1950s. Narrator Lora King is a quiet girl with no real romantic prospects. Not old but definitely not young, she’s a teacher who spends most of her time with her square-jawed and well-meaning brother Bill, an investigator for the DA’s office. When Bill gets married to Alice Steele, a drop-dead-gorgeous glamour girl who reeks of femme fatale, you’d think it would pull brother and sister apart. But even Lora has to admit that Alice, for all her mysterious past and near-neurotic levels of antic activity, seems like a pretty good wife, all said, with fancy dinner parties, cocktail hours with the neighbors, nightclub outings. Like the sister Lora never had, Alice even comes to teach at Lora’s school and gets her a boyfriend, a publicist she knows from back when she worked in movies. But, still, Lora can see the chinks in Alice’s façade. She knows that Alice’s friends look like trouble. And there are those rumors she’s starting to hear. . . . Not for Abbot are the self-conscious pastiches of Chandler imitators or the crazed spewings of a James Ellroy, but instead she gives us the true dark heart of the city in sharply contrasted blacks and whites, dense with heartache. Even though readers may be reminded of a dozen previous books or films, Abbott makes sure they won’t mistake this one for any but her own.

In these tasty noir stylings, you can almost smell the smoke and hear the clinking of ice cubes.

Pub Date: Feb. 1, 2005

ISBN: 0-7432-6170-4

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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