A capable historical romance featuring games of chance and games of the heart.
A sudden loss of nobility leads a former duke to his future bride.
When is a duke not a duke? When he’s Sebastian de Silva and he’s just been informed that his parents were not legally married, so his claim to be the Duke of Hasford is null and void. Unsure how to handle this abrupt change in circumstances, he and his friend Nash stumble into Miss Ivy’s, a new gambling house gaining renown for allowing any person with sufficient funds to play. He’s immediately interested in the proprietor, Ivy Holton, a ruined aristocrat who chose to open her own establishment rather than marry the man who'd won her hand from her father in a wager. Though she also finds him attractive, he ends up working for her, and he needs to stay employed for the first time in his life, meaning he can’t pursue her. As they continue to work together, however, there are multiple chances for the two to explore the chemistry that’s obvious to everybody but them—and finally, a “spectacular opportunity” presents itself and the two kiss. Ivy immediately apologizes for taking advantage of an employee, though soon after she and Sebastian agree that “it wasn’t just a kiss,” and a relationship begins to bloom. But if anything is to come of their attraction, Sebastian will have to make his peace with his new place in the world, and Ivy will have to decide whether she is willing to sacrifice her hard-won independence. This is the first entry in Frampton’s new Hazards of Dukes series, and if it does not quite live up to the magic of her earlier books, it’s still satisfying. Though Frampton (Never a Bride, 2019, etc.) is able as ever in developing promising subplots and a strong heroine, the tension of the plot is frequently lost, and Sebastian’s motivations can seem muddled. Despite this, both hero and heroine are likable, their amorous scenes are delightfully steamy, and Frampton has set up future installments well enough that readers can look forward to them.
A capable historical romance featuring games of chance and games of the heart.Pub Date: Jan. 28, 2020
ISBN: 978-0-06-286742-1
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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