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SECOND HELPINGS

Sassy and packed with more plot twists than a Real World marathon: likely to be snapped up eagerly by teen and preteen...

The further adventures of Jessica Darling, she of the overly detailed journal.

The brainy and independent Jessica (Sloppy Firsts, not reviewed), author of this sequel’s journal entries, is one of the more endearing offspring of these post–Bridget Jones years. Jessica is in her senior year at Pineville High, just another horrible high school somewhere in New Jersey filled with all the usual cliques and adolescent idiocy. Jessica knows she should be getting her act together and not thinking about too-cute Marcus—who she almost lost her virginity to in the first Jessica novel—and how now he’s sleeping with every girl who looks his way. Her clueless “friends” embody a range of types. There’s Sara, a bubbly screamer who interjects “Omigod!” every three words; Bridget, a gorgeous but insecure blond who says “like” every three words (see the difference); Manda, who spouts pop-feminist babble when she’s not snaking other girl’s boyfriends; and so on. Jessica misses her best friend, Hope, who moved away, and she has to find out who’s behind the “Pineville Low” gossip e-mail that’s been making snooty comments about her virginal status. Then comes Len, a terminal geek who’s now devastatingly cute and seems to like her. Although one has to get past all the CAPITALIZING and EXCITING DEVELOPMENTS!!! (this is an adolescent’s journal, after all), Jessica’s less-than-earth-shattering life (What college will accept her? Will Len kiss her? What’s Marcus up to?) are tossed across the page with breezy bravado. Cosmo and Glamour writer McCafferty has the post-’90s teenage mindset down to a tee and can reference trash culture with the best of them, but problems arise when she ventures beyond the stereotype.

Sassy and packed with more plot twists than a Real World marathon: likely to be snapped up eagerly by teen and preteen McCafferty fans.

Pub Date: April 1, 2003

ISBN: 0-609-80791-9

Page Count: 288

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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