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IONA MOON

Lives overflowing with pain are what Thon offers in her second novel (following Meteors in August, 1990), this time focusing on three Idaho teenagers. When Vietnam vet Everett Fry shot himself after his return in 1966 to White Falls, Idaho, his brother Matt drove the family car into the river; disowned by his parents, Matt took to living in a shed, where he was comforted by 11-year-old Iona Moon, though all she got in return was a headful of lice. But the skinny little farmer's daughter has been used to doing favors for her three loutish big brothers, and her reputation—that she ``was never tight with the boys''—excites diving-champion Jay Tyler, the dentist's son, though it repels his buddy Willy Hamilton who, mindful of his religion, priggishly walks the straight and narrow. (Circumstances prevent Jay from going all the way with Iona, while Willy just says no to backseat love.) Iona is as generous caring for her cancer-stricken mother Hannah, but once her mohter has died, Iona (now 17) wants out; she's narrowly escaped being gang- banged by high-school boys ``nasty as goats,'' and Matt Fry is in the nuthouse. So she runs away to Seattle, where life is just as miserable (``you take yourself with you''), though she finds temporary relief with Eddie Birdheart, a one-legged married guy, half-Indian. Back in White Falls, Jay, having impregnated a 14- year-old and broken his legs in a driving accident, has succumbed to self-pity and hard liquor, while Willy has outgrown his priggishness and lost his virginity to Jay's alcoholic mother Delores. (The parents, naturally, are even unhappier than their children.) Iona returns home; the ending is left open. Thon writes capably, but her prose is not yet powerful enough, nor her characters autonomous enough, to make her monochromatic world memorable.

Pub Date: June 1, 1993

ISBN: 0-671-79687-9

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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