This remarkable memoir serves as a moving examination of the complex forces of ethnicity, nationality and history that shape...
A young Armenian-American journalist examines her identity and personal history.
New York Times contributor Toumani grew up hating Turkey. She knew that between 1915 and 1923, nearly 1 million Armenians were massacred and another 1 million deported from the Ottoman Empire, a surge of violence that punctuated generations of oppression. She also knew that the Armenian diaspora was obsessed with world recognition of the conflict as genocide, a term that Turkey vehemently rejected. Even 100 years later, many Armenians are still ferocious in their abhorrence of all things Turkish. But for Toumani, that hatred had come “to feel like a chokehold, a call to conformity,” and she wanted “to understand how history, identity, my clan and my feeling of obligation to it, had defined me.” That search took her to Turkey, where she lived for more than two years, interviewing writers, historians, students, professors and activists about the fraught relationship of Turks to ethnic minorities. Cautious about admitting that she was Armenian, Toumani discovered that once she did, “the distance from ‘Nice to meet you’ to the words ‘so-called genocide’ was sometimes less than two minutes long.” Many Turks claimed to have Armenian friends, but stereotypes were deeply entrenched: Armenians were greedy, shifty and duplicitous. The murder of an outspoken journalist who worked to find common ground between Turks and Armenians brought political hatreds into stark view. Arriving with the idea that “soft reconciliation was important and valuable—that simply getting Turks and Armenians to interact as human beings seemed like a major step,” Toumani felt increasingly frustrated with the intolerance she encountered and with her own prejudices, which “seemed stronger than ever.” She came to believe that the term “genocide” is no more than a clinical label that dilutes the visceral reality of the past.
This remarkable memoir serves as a moving examination of the complex forces of ethnicity, nationality and history that shape one’s sense of self and foster, threaten or fray the fragile tapestry of community.Pub Date: Nov. 4, 2014
ISBN: 978-0-8050-9762-7
Page Count: 304
Publisher: Metropolitan/Henry Holt
Review Posted Online: Sept. 4, 2014
Kirkus Reviews Issue: Aug. 15, 2014
PROFILES
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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