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LANDSLIDE

A tale of a woman’s childhood and adulthood employs both sweet clichés and genuine reflections on the passage of time.

A woman navigates change and growth while reckoning with memories of her youth in this debut novel.

Jill at first seems to have an idyllic childhood. Her adoring, artistic mother, Rebecca, is raising her in the Garden, a sprawling homestead full of creative horticultural designs. But Jill has just turned 10 and increasingly asks questions about the frequent absence of her father, Jay, a renowned photographer often away on assignment for months at a time. The Garden remains a paradise, but Jill’s struggle to decode her complicated family riddles is further challenged when her mother gives birth to a baby and tragedy strikes shortly after. Jill’s best friend, Susie, supports her throughout but must struggle with her own mother’s alcoholism. In interspersed chapters told parallel to this childhood tale, a grown Jill is trying to get her garden-ware business off the ground when a chance encounter with the handsome and spontaneous Charlie changes her life forever. The two feel an instant, deep connection, but their romance is complicated by personality differences and Jill’s memories of her past. As Jill grows older, some happy “endings” occur—a marriage, a successful business—but time continues to bring new challenges and realizations. Some elements of Jill’s life are so sentimental and picturesque that they border on the unrealistic or clichéd, yet Leet’s best passages utilize this almost saccharine quality by contrasting it with real change and pain. The book’s many episodes feel sometimes leisurely or overly wandering and random, and its characters likewise can read both as two-dimensional types sharing platitudes and as real individuals meditating on the nature of happiness. Charlie and Jill’s early courtship, for example, feels like a sketch of a romance lacking real characterization (Jill ultimately loses her virginity to Charlie, but the reason she stops waiting is never fully explained). Yet the give-and-take of their adult marriage resonates far more effectively, mirroring the well-written, alternatingly cheery and sad dynamics among Jill, Rebecca, and Jay.

A tale of a woman’s childhood and adulthood employs both sweet clichés and genuine reflections on the passage of time.

Pub Date: Feb. 15, 2018

ISBN: 978-1-943826-33-9

Page Count: 425

Publisher: Antrim House

Review Posted Online: Jan. 24, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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