by Meryl Gordon ‧ RELEASE DATE: Sept. 26, 2017
A reverential biographical portrait and a window into 20th-century American aristocracy.
A rapturous biography of heiress and celebrated landscape gardener Rachel "Bunny" Mellon (1910-2014).
Vanity Fair contributor Gordon (The Phantom of Fifth Avenue: The Mysterious Life and Scandalous Death of Heiress Huguette Clark, 2014, etc.) vividly details how Mellon, whose paternal grandfather developed Listerine, was raised in an ultrawealthy milieu of fox hunting, posh boarding schools, and debutante balls. She was groomed to become a lady of excellent deportment; as adoringly described by the author, she was a "fresh blossom from a prominent family" who later married Paul Mellon (Mellon Bank), "the inheritor of a robber baron fortune." Gordon’s journalistic skill (she teaches at NYU’s Arthur L. Carter Journalism Institute) is evident in her meticulous description of Mellon's lineage and long life, a portrait constructed through research into dozens of biographies, journals, and letters going back nearly a century. Readers of Gordon’s other books will certainly enjoy her portrayals of the amusements, travels, and exploits of Mellon's peers; as demonstrated by both Mrs. Astor Regrets and The Phantom of Fifth Avenue, the author has shown great facility in recounting upper-class lives, especially those of women. Though Mellon was an acclaimed landscaper and gardener and was regarded as a woman with "an extraordinary eye and curiosity,” she was hesitant when President John F. Kennedy and first lady Jackie implored her to redesign the White House Rose Garden. (Jackie lauded Mellon as "a visual genius.”) Gordon effectively details how Mellon transformed the "forlorn and outdated" garden into a courtyard showpiece by adding magnolia and an assortment of other trees, but her admiring descriptions are occasionally overwrought. Ultimately, Gordon heeded Mellon's directive that, above all, she produce a “friendly, non-gossipy" memoir and "be kind."
A reverential biographical portrait and a window into 20th-century American aristocracy.Pub Date: Sept. 26, 2017
ISBN: 978-1-4555-8874-9
Page Count: 528
Publisher: Grand Central Publishing
Review Posted Online: Sept. 13, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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