A reverential biographical portrait and a window into 20th-century American aristocracy.

BUNNY MELLON

THE LIFE OF AN AMERICAN STYLE LEGEND

A rapturous biography of heiress and celebrated landscape gardener Rachel "Bunny" Mellon (1910-2014).

Vanity Fair contributor Gordon (The Phantom of Fifth Avenue: The Mysterious Life and Scandalous Death of Heiress Huguette Clark, 2014, etc.) vividly details how Mellon, whose paternal grandfather developed Listerine, was raised in an ultrawealthy milieu of fox hunting, posh boarding schools, and debutante balls. She was groomed to become a lady of excellent deportment; as adoringly described by the author, she was a "fresh blossom from a prominent family" who later married Paul Mellon (Mellon Bank), "the inheritor of a robber baron fortune." Gordon’s journalistic skill (she teaches at NYU’s Arthur L. Carter Journalism Institute) is evident in her meticulous description of Mellon's lineage and long life, a portrait constructed through research into dozens of biographies, journals, and letters going back nearly a century. Readers of Gordon’s other books will certainly enjoy her portrayals of the amusements, travels, and exploits of Mellon's peers; as demonstrated by both Mrs. Astor Regrets and The Phantom of Fifth Avenue, the author has shown great facility in recounting upper-class lives, especially those of women. Though Mellon was an acclaimed landscaper and gardener and was regarded as a woman with "an extraordinary eye and curiosity,” she was hesitant when President John F. Kennedy and first lady Jackie implored her to redesign the White House Rose Garden. (Jackie lauded Mellon as "a visual genius.”) Gordon effectively details how Mellon transformed the "forlorn and outdated" garden into a courtyard showpiece by adding magnolia and an assortment of other trees, but her admiring descriptions are occasionally overwrought. Ultimately, Gordon heeded Mellon's directive that, above all, she produce a “friendly, non-gossipy" memoir and "be kind."

A reverential biographical portrait and a window into 20th-century American aristocracy.

Pub Date: Sept. 26, 2017

ISBN: 978-1-4555-8874-9

Page Count: 528

Publisher: Grand Central Publishing

Review Posted Online: Sept. 13, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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