by Meryl Gordon ‧ RELEASE DATE: Sept. 26, 2017
A reverential biographical portrait and a window into 20th-century American aristocracy.
A rapturous biography of heiress and celebrated landscape gardener Rachel "Bunny" Mellon (1910-2014).
Vanity Fair contributor Gordon (The Phantom of Fifth Avenue: The Mysterious Life and Scandalous Death of Heiress Huguette Clark, 2014, etc.) vividly details how Mellon, whose paternal grandfather developed Listerine, was raised in an ultrawealthy milieu of fox hunting, posh boarding schools, and debutante balls. She was groomed to become a lady of excellent deportment; as adoringly described by the author, she was a "fresh blossom from a prominent family" who later married Paul Mellon (Mellon Bank), "the inheritor of a robber baron fortune." Gordon’s journalistic skill (she teaches at NYU’s Arthur L. Carter Journalism Institute) is evident in her meticulous description of Mellon's lineage and long life, a portrait constructed through research into dozens of biographies, journals, and letters going back nearly a century. Readers of Gordon’s other books will certainly enjoy her portrayals of the amusements, travels, and exploits of Mellon's peers; as demonstrated by both Mrs. Astor Regrets and The Phantom of Fifth Avenue, the author has shown great facility in recounting upper-class lives, especially those of women. Though Mellon was an acclaimed landscaper and gardener and was regarded as a woman with "an extraordinary eye and curiosity,” she was hesitant when President John F. Kennedy and first lady Jackie implored her to redesign the White House Rose Garden. (Jackie lauded Mellon as "a visual genius.”) Gordon effectively details how Mellon transformed the "forlorn and outdated" garden into a courtyard showpiece by adding magnolia and an assortment of other trees, but her admiring descriptions are occasionally overwrought. Ultimately, Gordon heeded Mellon's directive that, above all, she produce a “friendly, non-gossipy" memoir and "be kind."
A reverential biographical portrait and a window into 20th-century American aristocracy.Pub Date: Sept. 26, 2017
ISBN: 978-1-4555-8874-9
Page Count: 528
Publisher: Grand Central Publishing
Review Posted Online: Sept. 13, 2017
Share your opinion of this book
More by Meryl Gordon
BOOK REVIEW
by Meryl Gordon
BOOK REVIEW
by Meryl Gordon ; illustrated by Holly Clifton-Brown
BOOK REVIEW
by Meryl Gordon
More About This Book
PROFILES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Share your opinion of this book
More by Elie Wiesel
BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
Share your opinion of this book
More by Richard Wright
BOOK REVIEW
BOOK REVIEW
by Richard Wright ; illustrated by Nina Crews
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.