Millard’s earnest novel offers a carefully researched tour of Bronze Age religions through the eyes of Tariel, a wanderer who is skeptical and searching.
During his initiation ceremony, 15-year-old Tariel undergoes a painful, unsettling experience. Expecting to find his place in the village, he instead finds he must leave home altogether—on the run for his life. His travels take him from the Caucasus Mountains down the Euphrates, along the Persian Gulf, into India and even to the mythical kingdom of Shambala in Tibet. As he tries to earn a living over the years (including stints as a rent collector and a pirate), he also searches for spiritual truths from the teachers, priests, shamans and gurus he meets along the way, braced by his natural skepticism. (When the god Marduk is credited with helpful intervention in a battle, Tariel comments, “None of this made much sense to me, since all my life, I had seen that talent and practice make a good archer.”) By the end, he comes to understand the meaning of his adventures in and out of the spirit world. Debut novelist Millard (Adjunct Lecturer in English, SUNY Geneseo) has clearly done his homework, and the reader can learn much about the state of Bronze Age religions and cultures in the Near East and India. The details can be fascinating. Sometimes, though, it feels like homework, when each new set of beliefs that Tariel encounters is dutifully described. As an adventure novel, the book too often has the plodding, clunky feel of an official report: “The Arch Pirate questioned the man intently about the gold shipments and had other crew members brought forward to provide additional information.” Or this, from an action scene: “Since the river was wide…we were still out of range. In contrast, my bow from Mardaman was larger and more powerful.” When Millard employs a lighter touch, as with the grumpy wise man Ashapa or the pleasure-loving prince Nala, the journey is more enjoyable. An informative travelogue of Bronze Age cultures and beliefs that could benefit from a more seamless blending of facts and fiction.
Pub Date: Oct. 10, 2011
ISBN: 978-1461117971
Page Count: 357
Publisher: CreateSpace
Review Posted Online: Jan. 17, 2012
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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